Abstract

Walkabout is built around a simple story. Two city-dwelling children are driven by their father into the Australian desert, ostensibly for a picnic. There, after trying to shoot his young son, the father burns the car and kills himself. Left to try to find their own way home, the children soon lose themselves hopelessly. Exhausted and without water, they are rescued from the death they have no capacity to escape by a young aborigine. He leads them to safety, and in the course of their journey falls in love with the girl. Unable to get her to respond, he despairs, performs a ritual dance for her, and kills himself. The white children make their way home, and a brief coda shows the girl a few years later living a life very much like her mother’s.

Keywords

Burning Assure Gasoline Straw Burial 

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Notes and References

  1. 2.
    C.G. Jung, Alchemical Studies, The Collected Works, Vol. 13 (London: Routledge & Kegan Paul, 1967) pp.311–2.Google Scholar
  2. 5.
    C. G. Jung, Symbols of Transformation, The Collected Works, Vol. 5, 2nd edn (London: Routledge & Kegan Paul, 1956) pp.233, 259.Google Scholar
  3. 8.
    The veil has comparable meanings in Henry Vaughan’s ‘Cock-crowing’, where as the flesh it shields the devotee from the sunlike brilliance of God’s radiance. To enter that light as he desires, the poet must seek death. Only this Veyle which thou hast broke, And must be broken in me, This veyle, I say, is all the cloke And cloud which shadows thee from me. This veyle thy full-ey’d love denies And only gleams and fractions spies. O take it off! make no delay, But brush me with thy light, that I May shine unto a perfect day, And warme me at thy glorious Eye!.... In The Night’the veil stands for the body of Christ. (C. Dixon (ed.), A Selection from Henry Vaughan (London: Longmans, 1967) pp.81Google Scholar
  4. 9.
    The radio is introduced in Hermann Hesse, Steppenwolf (1927) tr., B. Creighton, (Harmondsworth: Penguin, 1986) pp.246–8.Google Scholar
  5. 11.
    This thought and a more extensive general debt are owed to Basil Wright, The Long View (St Albans: Paladin, 1976) pp.572–5.Google Scholar
  6. 13.
    Kathleen Raine, Yeats, the Tarot and the Golden Dawn, 2nd edn (Dublin: Dolmen Press, 1976) pp.12–15.Google Scholar
  7. 17.
    A. E. Housman, from The Shropshire Lad (1896) in The Collected Poems (London: Jonathan Cape, 1948) p.58.Google Scholar

Copyright information

© Kenneth John Izod 1992

Authors and Affiliations

  • John Izod
    • 1
  1. 1.Department of Film and Media StudiesUniversity of StirlingUK

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