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Abstract

Henry Green’s early novels Living (1929) and Party Going (1939) stand as the most ambitious fiction any writer of his generation produced before the Second World War. None of his contemporaries had Green’s ability to describe the social forces that separate class from class. None of them had such a fine ear for both dialogue and dialect. None had the breadth of imaginative sympathy that enabled him to capture what his friend and best critic V. S. Pritchett calls ‘the inner language and landscape’ in which people ‘lead their real lives’.1 In the first half of his career Green used that sympathy primarily in an attempt to understand the lives of men and women from classes other than his own. Living was not only the first book in which any member of his class and generation tried to imagine the lives of the English working class, but the best — the novel in which the working-class characters are the least conventionalized, the most highly individualized. It is the first attempt any of the writers I am concerned with made at a totalizing picture of the way their society moved.

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Notes and References

  1. V. S. Pritchett, ‘Henry Green: In the Echo Chamber’, in The Tale Bearers (New York: Random House, 1980), p. 115.

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© 1990 Michael Gorra

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Gorra, M. (1990). Henry Green (1905–1973). In: The English Novel at Mid-Century. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-11457-3_2

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