Abstract
Throughout the nineteenth century, save for a couple of decades from the mid-1870s, Spain was riven by political and social turmoil. The War of Independence (the Peninsular War) that had driven Joseph Bonaparte from the throne was followed by the 1812 Constitution of Cadiz; but its attempts to establish a more liberal system of centralized government by a monarch acting through responsible ministers, and to reduce the feudal stranglehold of the church and nobility, were nullified two years later on the return from exile of Ferdinand VII, a harshly repressive absolutist who ruthlessly persecuted his opponents and plunged the country into instability and bankruptcy. From then on, Spain, complicated as were the convolutions of its history, could basically be likened by the essayist Larra to ‘a new Penelope alternately weaving and unpicking her tapestry’. There was a constant seesaw between reactionary forces and reformist, anti-clerical elements, accompanied by revolutions, invasions, conspiracies, civil wars provoked by Ferdinand’s brother Don Carlos (not to be confused with Verdi’s hero), military uprisings, extremist factions and political assassinations.
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Notes
Bibliographical Note Political and social background
The fullest account of the political and social background to this troubled period in Spain is the admirably written The History of Spain by L. Bertrand and C. Petrie (London, 1934);
somewhat more compact, but well balanced and clear-minded, is H. V. Livermore’s A History of Spain (London, 2/1966).
R. Carr’s Spain 1808–1939 (Oxford, 1966),
supplemented by his Modern Spain 1875–1980 (Oxford, 1980), considers political, economic and social factors in detail and deals particularly well with Spanish liberalism.
For artistic matters R. Altamira y Crevea, A History of Spanish Civilisation (London, 1930),
is warmly recommended, as is Spain: a Companion to Spanish Studies, ed. P. E. Russell (London, 1973),
which contains sections on literature, the visual arts and music; a short but perceptive book in the same sphere is J. B. Trend, The Civilisation of Spain (Oxford, 1944).
On literature, G. Brenan’s The Literature of the Spanish People (Cambridge, 1965) is excellent and very readable: for those not requiring so much detail
G. T. Northup’s An Introduction to Spanish Literature (Chicago, 1925) would be useful.
Music
On specifically musical matters in Spain the Diccionario de la música Labor (Barcelona, 1954) is the nearest approach to a comprehensive encyclopedia in the Spanish language: the only general studies in English are G. Chase’s The Music of Spain (New York, 2/1959)and
A. Livermore’s A Short History of Spanish Music (London, 1972), the latter, in spite of being written in a confused, macaronic literary style and being unreliable on dates, offering some unusual insights.
For those who can read Spanish, however, the most thorough study of all aspects of music in Spain throughout the centuries is J. Subirá’s Historia de la música española e hispanoamericana (Barcelona, 1953); it contains sections on the religious and secular music of the period under discussion here.
There is a short but informative account (in Spanish) of religious music in A. Araiz Martinez’s Historia de la música religiosa en España (Barcelona, 1942) in the Colección Labor series of handbooks.
Not surprisingly it is the theatre which has attracted the greatest attention from critics and writers. Nearly all recommendable books on this subject, however, are in Spanish. A. Fernandez-Cid’s Cien años de teatro musical en España (Madrid, 1975) takes the widest conspectus;
very detailed, though available in handy pocket-size, is A. Peña y Goñi’s España desde la ópera a la zarzuela (Madrid, 1967) though it covers the period only up to the 1890s;
J. Subirá’s Historia de la música teatral en España (Barcelona, 1945), again in the Colección Labor series, is brief and succinct.
The most authoritative study of the evolution of the zarzuela, which also (most valuably) considers over 100 works in detail, is R. and C. Alier’s Libro de la zarzuela (Barcelona, 1982);
other histories of the form are Cotarelo y Mori’s Historia de la zarzuela (Madrid, 1934) and,
in German, R. Mindlin’s Die Zarzuela (Zürich, 1965).
Discursive and chattily anecdotal as it is, M. Muñoz’s Historia del teatro en España, iii: La zarzuela y el género chico (Madrid, 1965) contains material of incidental interest.
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© 1991 Granada Group and The Macmillan Press Ltd
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Salter, L. (1991). Spain: a Nation in Turbulence. In: Samson, J. (eds) The Late Romantic Era. Man & Music. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-11300-2_6
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