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Protestant North Germany

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Abstract

For most of Europe, the first three-quarters of the seventeenth century was a period of almost continuous war. Even though much of the Thirty Years War (1618–48) took place in central Europe, its death, misery and destruction spread to the northernmost regions, even the lands bordering on the North and Baltic seas. In addition, the continuing rivalry between Sweden and Denmark added constantly to the unrest in this region until the last decades of the century. In the second decade of the Thirty Years War, the Habsburg army of Wallerstein invaded Denmark and went on to overwhelm much of the Baltic coast of eastern Pomerania. Sweden, under the leadership of King Gustavus Adolphus, entered the war in 1630 by invading Pomerania, and quickly swept into the heartland of Germany as far south as the Rhineland. The Peace of Westphalia (1648) formulated solutions, albeit often temporary, to the various international conflicts, but peace did not endure. France and Spain continued their war, and soon England and the United Dutch Provinces initiated their own hostilities. After Sweden invaded Poland in 1655, Denmark again attacked Sweden, but the Danes were defeated by the superior forces of Sweden’s Charles X. The Treaty of Roskilde (1658) established the territorial integrity of the Swedish mainland. However, five months later the Swedes invaded the Danish mainland, beginning yet another war that achieved little but an impasse between these two northern powers. Their armies would meet again in battle in 1676, and at Lund the Danes suffered another defeat, and for the last time were forced to withdraw from the Swedish homeland.

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Notes

  • The history of the Hanseatic League is largely peripheral to the content of this chapter, since as an organization of cities and towns it had ceased to exist by the later seventeenth century. Cities such as Hamburg and Lübeck, however, were shaped politically as well as culturally by the league, and as sources of background information three books can be recommended. The best one in English is J., Schildhauer, The Hansa: History and Culture, trans. K. Vanovitch (Leipzig, 1985). It is beautifully illustrated with colour plates and numerous photographs and drawings, which convey a vibrant impression of the League’s cultural achievements. Another book, a basic source, is P. Dollinger, The German Hansa, trans. D. S. Ault and S. H. Steinberg (London and Stanford, 1970). Also important is K. Pagel, Die Hansa (Brunswick, 2/1952), which has many photographs of the art and architectural monuments generated by the Hanseatic League. Many of the architectural remnants of the Middle Ages and the Renaissance, especially in eastern Europe, were destroyed in World War II.

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Hamburg: instrumental and sacred music

  • The best work on instrumental music in seventeenth-century Hamburg remains L. Krüger, Die hamburgische Musikorganisation im XVII. Jahrhundert (Strasbourg, 1933).

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  • There are brief though informative discussions of the organ music of Jacob Praetorius, Scheidemann, Weckmann and Reincken in W. Apel, The History of Keyboard Music to 1700, trans, and rev. by H. Tischler (Bloomington, 1972). These composers mostly lack studies in English, except for articles in Grove 6. Useful works in German include: W. Breig 1, Die Orgelwerke von Heinrich Scheidemann, Beihefte zum Archiv für Musikwissenschaft, iii (1967);

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  • M. Seiffert, ‘Matthias Weckmann und das Collegium Musicum in Hamburg’, SIMG, ii (1900–01), 76–132;

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  • G. ligner, Matthias Weckmann: sein Leben und seine Werke (Wolfenbüttel and Berlin, 1939);

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  • F. Fiebig, Christoph Bernhard und der stile moderno (Hamburg, 1980).

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  • Concerning the Johanneum, see E. Kelter, Hamburg und sein Johanneum im Wandel der Jahrhunderte 1529–1929 (Hamburg, 1928).

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Hamburg: opera

  • Most of the literature concerning Hamburg opera focusses on the period from the last decade of the seventeenth century up to the closure of the theatre in 1738 (see The Late Baroque Era, Man & Music (London, 1993).

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  • Regarding the earliest history of the opera the following are important: H. C. Wolff, Die Barockoper in Hamburg (Wolfenbüttel, 1957); H. J. Marx, ‘Geschichte der Hamburger Barockoper: ein Forschungsbericht’, Hamburger Jahrbuch für Musikwissenschaft, iii: Studien zur Barockoper (1978); and idem, ‘Politische und wirtschaftliche Voraussetzungen der Hamburger Oper’, ibid., v: Opernsymposium 1978 in Hamburg (1981). A valuable list of the sources for music and librettos of Hamburg operas is W. Schulze, Die Quellen der Hamburger Oper (1678–1738) (Hamburg and Oldenburg, 1938).

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Lübeck

  • The standard work on the history of music is the two-volume study: J. Hennings, Musikgeschichte Lübecks, i: Weltliche Musik (Kassel, 1951);

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  • W. Stahl, Geistliche Musik (Kassel, 1952).

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  • Further concerning the Abendmusik concerts held in the Marienkirche during the seventeenth and eighteenth centuries, see W. Stahl, Die Lübecker Abendmusiken im 17. und 18. Jahrhundert (Lübeck, 1937),

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  • O. Söhngen, ‘Die Lübecker Abendmusiken als kirchengeschichtliches und theologisches Problem’, Musik und Kirche, xxvii (1957), 181.

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  • In addition to the discussion of Tunder’s organ music in Apel, The History of Keyboard Music to 1700 (see above), see K. Gudewill, Franz Tunder und die nordelbingische Musikkultur seiner Zeit (Lübeck, 1967).

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Authors

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Curtis Price

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© 1993 Palgrave Macmillan, a division of Macmillan Publishers Limited

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Buelow, G.J. (1993). Protestant North Germany. In: Price, C. (eds) The Early Baroque Era. Man & Music. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-11294-4_9

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  • DOI: https://doi.org/10.1007/978-1-349-11294-4_9

  • Publisher Name: Palgrave Macmillan, London

  • Print ISBN: 978-1-349-11296-8

  • Online ISBN: 978-1-349-11294-4

  • eBook Packages: Palgrave History CollectionHistory (R0)

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