Skip to main content

Chandler’s Cannibalism

  • Chapter
Watching the Detectives

Abstract

Thus contemplates Marlowe, on p. 206 of Farewell My Lovely (FML), during the moment of repose when he is lying in the dark, in a waterfront hotel, waiting for the right time to make his trip to the gambling ships just outside the three-mile limit, and there, with luck, to find the pieces missing from his puzzle. This characteristic soliloquy is in fact a roll-call of nearly every character of importance in the novel, and here, as so often elsewhere, the mental processes of Marlowe seem very close to those of his creator. For Chandler, too, had ‘thought of’ all these characters, and not simply once, but twice in the course of his literary career. First, when he had created them to carry on the action in stories written for Black Mask and Dime Detective Magazine in the mid-1930s and second when, only a few years later, he re-created them and the events with which they were associated, to provide the bulk of Farewell My Lovely.2

I thought of nasty old women beaten to death against the posts of their dirty beds. I thought of a man with bright blond hair who was afraid and didn’t quite know what he was afraid of…. I thought of beautiful rich women who could be had. I thought of nice slim curious girls who lived alone and could be had too, in a different way. I thought of cops, tough cops that could be greased and yet were not by any means all bad, like Hemingway. Fat prosperous cops with Chamber of Commerce voices, like Chief Wax. Slim, smart and deadly cops like Randall, who for all their smartness and deadliness were not free to do a clean job in a clean way. I thought of sour old goats like Nulty who had given up trying. I thought of Indians and psychics and dope doctors.1

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

eBook
USD 16.99
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 16.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Notes

  1. For a general view of this process of ‘cannibalising’ (Chandler’s own word) see Frank McShane, The Life of Raymond Chandler (London: Jonathan Cape, 1976) pp. 67–8, 84–5; the second passage has particular relevance to Farewell My Lovely, though some of the detailed interpretations seem contestable. In the Introduction to the Hamish Hamilton/Penguin Killer in the Rain, which contains the stories relevant to the cannibalised novels, Philip Durham had already provided a succinct account of the making of The Big Sleep (Harmondsworth, Middx.: Penguin, 1966, pp. 9–11); some of the same or cognate material was gone over again by Julian Symons in ‘An Aesthete Discovers the Pulps’ in The World of Raymond Chandler, ed. Miriam Gross (London: Weidenfeld and Nicolson, 1977) pp. 19–29, see esp. pp. 26–9.

    Google Scholar 

  2. Chandler himself remarked that an allusion to this title in a 1939 diary would have been prompted by ‘Bay City Blues’, since ‘That is a story which happens in a town so corrupt from the law enforcement point of view that the law is where you buy it and what you pay for it’, in Selected Letters of Raymond Chandler, ed. Frank McShane (London: Jonathan Cape, 1981) p. 282. As McShane notes, the phrase also turns up within Farewell My Lovely in connection with Mrs Grayle’s power over the police (FML, p. 122; The Life of Raymond Chandler, p. 90).

    Google Scholar 

  3. ‘1939 Plan of Work Taken from Chandler’s Notebook’, in Raymond Chandler Speaking, ed. Dorothy Gardiner and Kathrine Sorley Walker (London: Hamish Hamilton, 1962) p. 207.

    Google Scholar 

  4. RKO released this under Chandler’s title in Minneapolis at the end of 1944, but it was retitled Murder My Sweet when it opened in New York three months later: see Film Noir, ed. Alain Silver and Elizabeth Ward (London: Secker and Warburg, 1980) p. 192. The first title, together with the casting of Dick Powell in the lead, seems to have made preview audiences apprehensive that it would be a musical (Philip French, ‘Media Marlowes’, in The World of Raymond Chandler, pp. 67–79, see esp. p. 70).

    Google Scholar 

  5. Dashiel Hammett, The Thin Man (Reading: Penguin, 1987) pp. 181–9.

    Google Scholar 

  6. See ‘The Simple Art of Murder’, in The Chandler Collection, vol. iii, pp. 175–92, see esp. pp. 188–92.

    Google Scholar 

Download references

Authors

Editor information

Editors and Affiliations

Copyright information

© 1990 Maldwyn Mills

About this chapter

Cite this chapter

Mills, M. (1990). Chandler’s Cannibalism. In: Bell, I.A., Daldry, G. (eds) Watching the Detectives. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-10591-5_8

Download citation

Publish with us

Policies and ethics