Abstract
Aldington’s efforts to aid Gourmont now began to go awry. Prompted by him, Amy Lowell had arranged publication of a series of the Frenchman’s articles in the New Republic, but the magazine refused to print two of them. Nor did the signed manuscript of Gourmont’s Nuit Au Luxembourg, promised to Lowell in response to a gift of $200, arrive. She was good about the manuscript, but Herbert Croly, who had refused the articles for the New Republic, was treated to a furious letter from Aldington, who also informed Lowell that ‘Any American paper should be satisfied to pay $six [dollars] a time for [Gourmont’s] signature’. Later, rejoicing in his ‘slanging’ of Croly, Aldington declared (not altogether seriously) that he had ‘a profound contempt for all things American!’1 A young man’s breezy tactlessness, but Croly had to be placated. Lowell, who had agreed more readily than Harriet Monroe to help Gourmont, now offered Croly apologies, characterising Aldington as ‘only twenty-two, exceedingly prejudiced and as far as America is concerned exceedingly ignorant’.2 Another Philadelphia friend of those times, the translator James Whitall, good-humouredly portrays him as revelling in bad imitations of the American accent.
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Notes
James Whitall, English Years (London, 1936) p. 57.
David Perkins, A History of Modern Poetry (Cambridge Mass., 1976) pp. 370–1, says of this work: ‘But in her work the new themes and forms seem hardly less conventional than the old, and the poetry they led her to write was even more willed and external’.
Little Review, March 1915, pp. 22–5. These remarks anticipate, interestingly, Marianne Moore on William Carlos Williams in her ‘Things Others Never Notice’—see Predilections (London, 1956) pp. 136–9. (First published in Poetry, March 1934).
H.D., Tribute to Freud (Boston, 1974) p. 116.
Peter E, Firchow, ‘Rico and Julia: The Hilda Doolittle—D. H. Lawrence Affair Reconsidered’, Journal of Modern Literature, vol. 8 (1980) no. 1, pp. 51–76.
D. H. Lawrence, Kangaroo (London, 1923). Phoenix edition, p. 219.
Kittredge, p. 105; Herbert Read, The Innocent Eye (New York, 1947) p. 100.
Harold Monro, ‘The Imagists Discussed’, Egoist, 1 May 1915, pp. 77–80.
R.A. ‘The Poetry of F. S. Flint’, Egoist, 1 May 1915, pp. 80–1.
George Lane, ‘Some Imagist Poets’, Little Review, vol. 2 (May 1915) pp. 27–35.
F. M. Hueffer, ‘A Jubilee’ in Outlook, 10 July 1915; cited in
Glenn Hughes, Imagism and the Imagists (Stanford, 1931) p. 46.
Ford Madox Ford. ‘On Impressionism’, The Critical Writings of Ford Madox Ford, edited by Frank MacShane (Lincoln, Neb., 1964), p. 34.
A most valuable treatment of the links between this ‘egoism’ and Imagism is contained in Michael H. Levenson, A Genealogy of Modernism—A Study of English Literary Doctrine 1908–1922 (Cambridge, 1984) ch. 5.
Thomas McGreevy, Richard Aldington, An Englishman (London, 1931) p. 15.
Harriet Monroe, A Poet’s Life (New York, 1938) p. 352.
John Cournos, The Mask (New York: Doubleday, Doran, 1919).
Guest, p. 78; Fred. D. Crawford, ‘Richard Aldington and H.D.’, paper presented at the ‘Aldington Symposium’, University of Reading, 8–9 July 1986.
John Cournos, Miranda Masters (New York, 1926) pp. 100–1.
John Gould Fletcher, ‘Mr Aldington’s Images’, Poetry, vol. VIII (April 1916) no. 1. pp. 49–51; Fletcher also dealt with R.A. fulsomely in the Little Review, vol. 3 (May 1916) ‘Three Imagist Poets’, pp. 32–41.
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© 1989 Charles Doyle
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Doyle, C. (1989). Images, Lost and Found, 1915–16. In: Richard Aldington: A Biography. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-10224-2_4
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