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Abstract

Stories of the double — whether stories of twins, of look-alikes or of double inhabitants of a single split personality like Jekyll and Hyde — appeal to us all. In the author, presumably, as well as in the reader, they release tensions between divided aspects of being. Margaret Laurence uses the twin-motif in A Jest of God1 subtly but persistently. Using it, she keys into an archetypal force like that released through folklore or myth. From the time we meet the ‘Venusian twins’, silver-blonde images of seductive young femininity, through the moment when we hear about the unmarried girl who has given birth to twins (‘twice as reprehensible as one’) we move toward a central focus on the mystery of Nick Kazlik’s twinship: a correlative of the doubleness in Nick — and in many other aspects of the rich, mysterious, funny world that Margaret Laurence created in this novel.

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Notes

  1. Margaret Laurence, A Jest of God (Toronto: McClelland and Stewart, 1966).

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  2. Martin Gardner, The Ambidextrous Universe (New York: Basic Books, 1964).

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  3. James Watson, The Double Helix (New York: Atheneum, 1968).

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  4. R. W. Sperry, ‘Hemisphere Disconnection and Unity in Conscious Awareness’, American Psychologist, vol. 23 (1968) pp. 723–33.

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  5. J. Levy, ‘Differential Perception Capacities in Major and Minor Hemispheres’, Proceedings of the National Academy of Science, vol. 62 (1968) p. 1151.

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  6. Betty Friedan, The Feminine Mystique (New York: Norton, 1963).

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  7. Nancy Bailey, ‘Margaret Laurence and the Psychology of Re-birth in A Jest of God’, Journal of Popular Culture, vol. 15 (1981) pp. 62–7.

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  8. Rachel DuPlessis, Writing Beyond the Ending (Bloomington, Ind.: Indiana University Press, 1985).

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© 1990 Elizabeth Waterston

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Waterston, E. (1990). Double is Trouble. In: Nicholson, C. (eds) Critical Approaches to the Fiction of Margaret Laurence. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-10092-7_6

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