Abstract
Stories of the double — whether stories of twins, of look-alikes or of double inhabitants of a single split personality like Jekyll and Hyde — appeal to us all. In the author, presumably, as well as in the reader, they release tensions between divided aspects of being. Margaret Laurence uses the twin-motif in A Jest of God1 subtly but persistently. Using it, she keys into an archetypal force like that released through folklore or myth. From the time we meet the ‘Venusian twins’, silver-blonde images of seductive young femininity, through the moment when we hear about the unmarried girl who has given birth to twins (‘twice as reprehensible as one’) we move toward a central focus on the mystery of Nick Kazlik’s twinship: a correlative of the doubleness in Nick — and in many other aspects of the rich, mysterious, funny world that Margaret Laurence created in this novel.
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Notes
Margaret Laurence, A Jest of God (Toronto: McClelland and Stewart, 1966).
Martin Gardner, The Ambidextrous Universe (New York: Basic Books, 1964).
James Watson, The Double Helix (New York: Atheneum, 1968).
R. W. Sperry, ‘Hemisphere Disconnection and Unity in Conscious Awareness’, American Psychologist, vol. 23 (1968) pp. 723–33.
J. Levy, ‘Differential Perception Capacities in Major and Minor Hemispheres’, Proceedings of the National Academy of Science, vol. 62 (1968) p. 1151.
Betty Friedan, The Feminine Mystique (New York: Norton, 1963).
Nancy Bailey, ‘Margaret Laurence and the Psychology of Re-birth in A Jest of God’, Journal of Popular Culture, vol. 15 (1981) pp. 62–7.
Rachel DuPlessis, Writing Beyond the Ending (Bloomington, Ind.: Indiana University Press, 1985).
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© 1990 Elizabeth Waterston
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Waterston, E. (1990). Double is Trouble. In: Nicholson, C. (eds) Critical Approaches to the Fiction of Margaret Laurence. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-10092-7_6
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DOI: https://doi.org/10.1007/978-1-349-10092-7_6
Publisher Name: Palgrave Macmillan, London
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