Abstract
Although his novels superficially resemble Victorian novels, it is not too much to say that E. M. Forster permanently changed the English novel. Perhaps his not having written novels for the last four decades of his life has inhibited our recognition of the seminal role Forster played in the transformation of the Victorian novel into what we know as the Modern novel. For example, Lionel Stevenson1 barely mentions E. M. Forster’s contribution, and Walter Allen asserts that Forster cannot ‘be regarded as a pioneer’ and places him ‘in the older English tradition which, beginning with Fielding, ends, we normally assume, with Meredith’.2 In this chapter, I shall make rather more substantial claims for Forster’s originality as an artist than are usually made.
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Notes
Lionel Stevenson, The English Novel: a Panorama (Boston: Houghton Mifflin, 1960).
Walter Allen, The English Novel (New York: E. P. Dutton, 1954) p. 400.
Virginia Woolf, ‘Mr. Bennett and Mrs. Brown’, The Captain’s Death Bed and Other Essays (New York: Harcourt, Brace, 1950); pp. 112
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© 1989 Daniel R. Schwarz
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Schwarz, D.R. (1989). The Originality of E. M. Forster. In: The Transformation of the English Novel, 1890–1930. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-09703-6_7
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DOI: https://doi.org/10.1007/978-1-349-09703-6_7
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-09705-0
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