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No pressure at all

  • Arthur Rollini

Abstract

I believe that we had two rehearsals before opening. Unlike when I was playing with Goodman, we got paid for these. I was both player and contractor. Between shows we kept busy. We jammed a couple of times with Georgie Stoll, who played jazz violin. I would take my clarinet to his dressing room and, with a guitar for rhythm, we played Tea for Two and many other tunes.

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Copyright information

© Arthur Rollini 1987

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  • Arthur Rollini

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