Skip to main content

‘My Name is Father’ The Power and the Glory

  • Chapter
Graham Greene’s Childless Fathers

Part of the book series: Macmillan Studies in Twentieth-Century Literature ((STCL))

  • 12 Accesses

Abstract

The Power and the Glory, which is probably Greene’s most elaborate and complex novel, has generated extensive critical discussions and comments. The novel has been defined as an allegory, a morality play, or a modern parable and identified with other related genres. These critical classifications suggest a tribute to the structural and artistic perfection of the work, but they also invite the inevitable criticism of excessive didacticism, contrived and improbable situations, manipulation of protagonists and ‘flat’ characters.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 44.99
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 59.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Notes and References

  1. Richard Hoggart, ‘The Force of Caricature’, in S. Hynes (ed.), Graham Greene: A Collection of Critical Essays ( New Jersey: Prentice-Hall, 1973 ) p. 80.

    Google Scholar 

  2. Kenneth Allott and Miriam Farris, The Art of Graham Greene (New York: Russell & Russell, 1951) pp. 179–82.

    Google Scholar 

  3. John Atkins, ‘Altogether Amen: A Reconsideration of The Power and the Glory’, in Robert O. Evans, Graham Greene: Some Critical Considerations ( Lexington: University of Kentucky Press, 1963 ) p. 186.

    Google Scholar 

  4. John Atkins, Graham Greene (London: Calder and Boyars, 1957, revised edition, 1966) p. 124.

    Google Scholar 

  5. Robert R. Haber, ‘The Two Worlds of Graham Greene’, Modern Fiction Studies, Graham Greene Special Number, 3 (Autumn 1957 ) p. 257.

    Google Scholar 

  6. Morton Douwen Zabel, ‘Graham Greene: The Best and the Worst’, in Craft and Character in Modern Fiction: Texts, Method and Vocation (New York: Viking, 1957) pp. 276–96, reprinted in Synes, A Collection, pp. 42-3.

    Google Scholar 

  7. David Pryce-Jones, Graham Greene, ( London: Oliver and Boyd, 1963 ) p. 55.

    Google Scholar 

  8. Marie-Beatrice Mesnet, Graham Greene and The Heart of the Matter ( London: The Crescent Press, 1954 ) pp. 27–8.

    Google Scholar 

  9. Francis L. Kunkel, The Labyrinthine Ways of Graham Greene ( Mamaroneck, New York: Paul P. Appel, 1960 ) pp. 101–53.

    Google Scholar 

  10. R. W. B. Lewis, ‘The “Trilogy”’ in The Picaresque Saint (Philadelphia, Penn: J. B. Lippincott Co., 1959) reprinted in Synes, A Collection, p. 68.

    Google Scholar 

Download references

Authors

Copyright information

© 1988 Daphna Erdinast-Vulcan

About this chapter

Cite this chapter

Erdinast-Vulcan, D. (1988). ‘My Name is Father’ The Power and the Glory. In: Graham Greene’s Childless Fathers. Macmillan Studies in Twentieth-Century Literature. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-09013-6_3

Download citation

Publish with us

Policies and ethics