Abstract
The tragedy of vision, “that struggle of a dream with the world”, is the art form in whose service the Poet would enlist the Actress in W. B. Yeats’s hitherto unpublished 1916 dialogue “The Poet and the Actress”.1 “The end of art is ecstasy, and that cannot exist without pain. It is [a] sudden sense of power and of peace, that comes when we have before our mind’s eye a group of images which obeys us, which leaves us free, and which satisfies the need of our soul.” The tragic poet “shows the pain side by side with the ecstasy…. He must be able to see reality without flinching.”
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Notes
Composed 5 October 1915, according to Richard Ellmann in The Identity of Yeats (New York: Oxford University Press, 1954) p. 290, and published in October 1917. VP 367.
Curtis Bradford dates this breakthrough November 1915, Curtis Bradford (ed.), W. B. Yeats: The Writing of The Player Queen (DeKalb: Northern Illinois University Press, 1977) pp. 267–70.
W. B. Yeats, The Poems: A New Edition, ed. Richard J. Finneran (New York: Macmillan, 1983) pp. 161–2. Cf. also Au 272–5.
Textual Notes
with reality: will realise, GY. Curtis B. Bradford, Yeats at Work (Carbondale and Edwardsville: Southern Illinois University Press, 1965) p. 215, confirms my reading.
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© 1991 Palgrave Macmillan, a division of Macmillan Publishers Limited
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Clark, D.R. (1991). “The Poet and the Actress”: An Unpublished Dialogue by W. B. Yeats. In: Gould, W. (eds) Yeats Annual No. 8. Yeats Annual. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-08861-4_6
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