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The Long Perspectives

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Abstract

Wordsworth’s devotion to landscape improvement was undertaken then not, like that of many of his contemporaries, as assistance to human complacency and self-assertion, but rather as a work of rescue and consolation. Against the doctrine that life in the midst of nature must be pleasant (a doctrine of the sentimentalists which would later thrive on a misreading of his own work) he, like Shakespeare, knew that such a life in its purest form must be that of ‘unaccommodated man’, exposed to the alien and uncaring processes of the universe at large; no response to the landscape which failed to acknowledge the fact could be adequate.

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Notes

  1. ‘Salisbury Plain’, st. 44 (Cf Salisbury Plain Poems 34). See also Enid Welsford, Salisbury Plain, a Study in the Development of Wordsworths Mind and Art (Oxford, 1966), pp. 14–15.

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  2. Ibid., st. 47.

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  3. C. Salveson, The Landscape of Memory (1965).

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  4. W. Bartram, Travels through North and South Carolina (1792), p. 155.

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  5. J. L. Lowes, The Road to Xanadu (1927), pp. 364–5, quoting Gutch Notebook (=CN I 220).

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  6. D. Ferry, The Limits of Mortality (Middletown, Conn., 1959), pp. 12–15.

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  7. B. R. Haydon, Diary, ed. W. B. Pope (1960), II p. 470.

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  8. David Ferry, op. cit., pp. 23–4.

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  9. Samuel Daniel, Preface to ‘Musophilus’, ll.1–6. (Complete Works, ed. A. B. Grosart (1885), I 223).

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© 1978 John Beer

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Beer, J. (1978). The Long Perspectives. In: Wordsworth and the Human Heart. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-08710-5_9

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