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‘Would a viper have stung her if she had only had one name?’: Doctor Faustus Lights the Lights

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Abstract

‘[I]n a kind of a way novels are still a puzzle to me’,1 Gertrude Stein explained as she began Ida A Novel. The puzzle proved difficult. Between mid-May and December 1937 she wrote at least three brief and unsatisfactory drafts of an opening for Ida.2 By early December she thought that a conversation with Thornton Wilder had given her ‘a scheme for Ida which [would] pull it together’.3 But when, after Christmas festivities and a move to a new apartment, she resumed work in the beginning of February 1938, it was not Ida but Doctor Faustus Lights the Lights that occupied her (GS—CVV, ii, p. 590): ‘Ida has become an opera, and it is a beauty, really is, an opera about Faust’, she would report.4

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Notes

  1. Oliver Wendell Holmes, ‘A Second Preface’ to Elsie Venner: A Romance of Destiny (1861; New York: Dolphin Books, Doubleday, n.d.) p. 9.

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  2. Laurence Irving, Henry Irving: The Actor and his World (London: Faber and Faber, 1951) pp. 468–9.

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  3. Allegra Stewart, Gertrude Stein and the Present (Cambridge, Mass.: Harvard University Press, 1967) p. 165, notes the dual creative and destructive aspects of the viper.

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  4. Gertrude Stein to W. G. Rogers, in W. G. Rogers, When This You See Remember Me: Gertrude Stein in Person (New York and Toronto: Rinehart, 1948) p. 23.

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© 1988 Shirley Neuman

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Neuman, S. (1988). ‘Would a viper have stung her if she had only had one name?’: Doctor Faustus Lights the Lights. In: Neuman, S., Nadel, I.B. (eds) Gertrude Stein and the Making of Literature. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-08541-5_11

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