Abstract
When Lewes was encouraging Eliot to start writing novels he told her: ‘You have wit, description and philosophy’ -he only feared she lacked ‘the highest quality of fiction - dramatic presentation’. He could not have been more wrong - it was discovered that Eliot had a remarkable gift of catching nuance of character in tone of voice. She had always admired writers who dared to be ‘thoroughly familiar … like Shakespeare, Fielding, Scott and indeed every other writer of fiction of the first class … Shakespeare is intensely colloquial. One hears the very accent of living men’.
Preview
Unable to display preview. Download preview PDF.
Copyright information
© 1986 Helen Wheeler
About this chapter
Cite this chapter
Wheeler, H. (1986). Style And Technique. In: The Mill on the Floss by George Eliot. Macmillan Master Guides. Palgrave, London. https://doi.org/10.1007/978-1-349-08421-0_5
Download citation
DOI: https://doi.org/10.1007/978-1-349-08421-0_5
Publisher Name: Palgrave, London
Print ISBN: 978-0-333-40589-5
Online ISBN: 978-1-349-08421-0
eBook Packages: Palgrave Literature & Performing Arts CollectionLiterature, Cultural and Media Studies (R0)