Technical Features

Abstract

The conventional five acts into which the play is divided do not really identify either the plot or the actual structure of the drama. The story itself falls into three distinct parts, each of which is only loosely connected in terms of plot development. The first explores the love affair between Bracciano and Vittoria. Their liaison is aided and abetted by Flamineo who willingly dupes his brother-in-law, Camillo, and upbraids his mother when she threatens to interfere. Having established the disjunction between Vittoria and the foolish Camillo, and the break between Bracciano and his wife, Webster introduces the authority figures of Monticelso and Francisco as determined antagonists. There is no doubt about the inherent danger of the relationship between the two lovers. The second part concentrates on Vittoria’s trial when accusations of prostitution, adultery and murder are flung at her. The speeches consist of long denunciations with slight supporting evidence. She is given little opportunity to respond. Bracciano plays only a minor part in the trial. His intervention is brief, peremptory and ineffective. The only factual evidence offered is an intercepted love-letter containing money. This is interpreted as a sign of Vittoria’s guilt despite her protestations and she is immediately sentenced. Bracciano and Flamineo avoid condemnation though they are actually the guilty parties.