Abstract
Marian Evans published her work under the name of George Eliot because, even in the 1850s, there was still some hostility to women novelists.1 G. H. Lewes wrote, after the great success of Adam Bede, ‘It is quite clear that people would have sniffed at it if they had known the writer to be a woman but they can’t now unsay their admiration.’2 She lived to be acclaimed as the greatest woman of modern times. ‘The female Shakespeare’, ‘She thinks just like a man’,3 her admirers said. When she died she was called ‘a woman whose achievements were without parallel in the previous history of womankind’.4
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Notes and References
Gordon S. Haight (ed.), The George Eliot Letters (Oxford, 1954–6), Vol. 3, p. 106.
Gordon S. Haight, George Eliot: A Biography (London, 1968), p. 468.
Quoted in David Carroll (ed.), George Eliot: The Critical Heritage (London, 1971), p. 504.
T. J. Wise and J. A. Symington (eds), The Brontes: Their Lives, Friendships and Correspondence (Oxford, 1932), Vol. 3, p. 74.
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© 1984 Merryn Williams
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Williams, M. (1984). George Eliot. In: Women in the English Novel, 1800–1900. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-08184-4_10
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DOI: https://doi.org/10.1007/978-1-349-08184-4_10
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