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Notes
Hans Habe, All My Sins: An Autobiography (London: George G. Harrap, 1957) p. 285.
Mark Harris, ‘Saul Bellow at Purdue’, The Georgia Review, Winter 1978, pp. 715–54.
Carolyn Heilbrun, Reinventing Womenhood (New York: W. W. Norton, 1979) p. 22.
Eudora Welty, ‘Place in Fiction’, South Atlantic Quarterly, vol. 55 (1956) p. 62.
John Fowles, ‘Notes on an Unfinished Novel’, in Afterwords: Novelists on their Novels, ed. Thomas McCormack (New York: Harper & Row, 1969) p. 175.
Gustave Flaubert, ‘Style as Absolute’, in The Modern Tradition: Backgrounds of Modern Literature, ed. Richard Ellmann and Charles Feidelson Jr (New York: Oxford University Press, 1965) p. 126.
Annie Dillard, Living by Fiction (New York: Harper & Row, 1982) pp. 47–8.
Gore Vidal, ‘French Letters: the Theory of the New Novel’, Encounter, Dec. 1967, p. 14.
Harry James Cargas, ‘Elie Wiesel and the Holocaust’, Commonweal, 10 Sept. 1976, pp. 594–6.
Harry Levin, The Gates of Horn: A Study of Five French Realists (New York: Oxford University Press, 1963) p. 468.
Sidra Dekoven Ezrahi, By Words Alone: The Holocaust in Literature (Chicago: University of Chicago Press, 1980) pp. 2–3.
Carlo Levi, The Watch (New York: Farrar, Strauss & Young, 1951) pp. 70–1.
Mary Gordon, ‘The Parable of the Cave or: In Praise of Watercolors’, in The Writer on Her Work, ed. Janet Sternburg (New York: W. W. Norton, 1980) p. 28.
Robert Jay Lifton, Death in Life: Survivors of Hiroshima (New York: Vintage Books, 1967) p. 474.
Dena Justin, ‘From Mother Goddess to Dishwasher’, Natural History, vol. 82 (1973) p. 44.
I. I. Revzin, ‘Notes on the Semiotic Analysis of Detective Novels: With Examples from the Novels of Agatha Christie’, New Literary History, vol. 9 (1978) p. 386.
Graham Greene, Ways of Escape (Penguin, 1981) p. 105.
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© 1986 Diana Cooper-Clark
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Cooper-Clark, D. (1986). Introduction. In: Interviews with Contemporary Novelists. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-08109-7_1
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