Abstract
James’s choice of reform as the substantial subject of publicity in The Bostonians bears strongly in mind the properly civic resonance of the dissociations discoverable in Emerson. For the wider issue of James’s historicism, we should remember that Emerson’s handling of the equation between private and public occurs in the context of that earlier period of radical commercial change during the 1830s and 1840s. This period had already provided a focus for James’s attention at the end of the 1870s when he chose it as the setting for the action of Washington Square and The Europeans, texts where (especially in the latter) again we find Emerson’s informative presence. The concerns with the changing nature of ideas about the self and with the fiscal instability that engage the main preoccupations of these novels are concerns which characterise the major shifts in the American economic history of the nineteenth century — the shifts from the sphere of accumulation to the sphere of reproduction where the latter begins its visible ascendancy towards the end of Reconstruction.
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Notes and References
Ibid, pp.224–31. For an analysis of Emerson’s relationship to commercial practices during the 1830s and 1840s, see Ian F.A. Bell, ‘The Hard Currency of Words: Emerson’s Fiscal Metaphor in Nature’, English Literary History, 52 (1985), p. 733–53.
Emerson, ‘New England Reformers,’ Essays: Second Series (Cambridge, MA: The Riverside Press, 1892), p. 242.
Literary Criticism. Essays on Literature, American Writers, English Writers, ed. Leon Edel (New York: The Library of America, 1984), pp.244–5.
For a brilliant commentary on this aspect of the play, see D.J. Gordon, ‘Name and Fame: Shakespeare’s Coriolanus’, The Renaissance Imagination. Essays and Lectures by D.J. Gordon, ed. Stephen Orgel (Berkeley: University of California Press, 1975), pp. 203–19, 313–5.
Emerson, ‘Woman’, Miscellanies, p.340. For an account of The Bostonians which reads it as James’s acknowledgement (in his presentation of Olive and Verena) of the final decline in the principles of self-culture, friendship and renunciation associated not only with Emerson but with Margaret Fuller, see Paul John Eakin, The New England Girl. Cultural Ideals in Hawthorne, Stowe, Howells and James (Athens: University of Georgia Press, 1976), pp. 195–217).
Alfred Habegger, ‘The Disunity of The Bostonians’, Nineteenth-Century Fiction, 24 (1969), pp. 198–9.
Letter to Grace Norton, dated 4 March 1885, Henry James Letters, ed. Leon Edel (Cambridge, MA: Harvard University Press, 1980), Vol.III, p.76. James’s reference invokes his own newly ‘public’ enterprise in The Bostonians and The Princess Casamassima: that is, the foray into his fresh style of literary realism.
Guy Debord, Society of the Spectacle (Detroit: Black & Red, 1973), paragraph 49.
Richard Godden, ‘Some Slight Shifts in the Manner of the Novel of Manners’, Henry James: Fiction as History, ed. Ian F.A. Bell (London and Totowa, NJ: Vision Press and Barnes & Noble, 1984), p. 161.
Thorstein Veblen, The Theory of the Leisure Class, 1899 (London: Unwin Books, 1970), p. 75.
T.J. Jackson Lears, ‘From Salvation to Self-Realization: Advertizing and the Therapeutic Roots of the Consumer Culture, 1880–1930’, The Culture of Consumption, ed. R.W. Fox and T.J. Jackson Lears (New York: Pantheon Books, 1983)
Rachel Bowlby, Just Looking: Consumer Culture in Dreiser, Gissing and Zola (London: Methuen, 1985).
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© 1991 Ian F. A. Bell
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Bell, I.F.A. (1991). The Peculiarity of Social Life: Reform and Gender. In: Henry James and the Past. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-08056-4_6
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