Skip to main content

Tradition’s Use of Burns: The Songs and Poems

  • Chapter
Burns and Tradition
  • 7 Accesses

Abstract

Burns’ own traditional environment provided the inspiration for much of his artistry. At first this had been reflexive; but finally it was reflective. His closeness to his own milieu on a variety of levels made his work appeal: his sensitivity to the world he shared with his audience enabled him to create well-turned phrases, characters, memorable lines, and songs which became a part of the very traditional culture which had initially inspired his work — both poems and songs. He borrowed from tradition but amply repaid that loan by creating works of art which in and through time have replenished that traditional fund.

… wherein is he great, except that his own songs at once found receptive ears amongst the people; they were re-echoed by the binders and reapers in the field, and he was greeted with them by his boon-companions in the alehouse.

Goethe

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 39.99
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 49.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Chapter 4 Tradition’s Use of Burns: the Songs And Poems

  1. James Ballantine (comp. and ed.), Hundredth Birthday of Robert Burns ( Edinburgh: A Fullarton & Co., 1859 ), p. 287.

    Google Scholar 

  2. See the introductory material to Gershon Legman (ed.), The Merry Muses of Caledonia, Collected and in part written by Robert Burns (New Hyde Park, New York: University Books, 1965).

    Google Scholar 

  3. J. De Lancey Ferguson (ed.), The Letters of Robert Burns, 2 vols (Oxford: Clarendon Press, 1931), 1: 116–17, no. 126. This transcription differs slightly from the version printed in Ferguson: it is taken from Manuscript 586, the Watson Manuscript, National Library of Scotland.

    Google Scholar 

  4. David Daiches, Robert Burns ( London: Andre Deutsch, 1966 ), p. 233.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Copyright information

© 1984 Mary Ellen Brown

About this chapter

Cite this chapter

Brown, M.E. (1984). Tradition’s Use of Burns: The Songs and Poems. In: Burns and Tradition. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-07087-9_4

Download citation

Publish with us

Policies and ethics