Abstract
Lying is a privilege of poets because they have not yet reached the level on which truth and error are discernible. (Santayana)1
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Notes
George Santayana, Reason in Art (New York, 1934), 100.
This shapes much of Iris Murdoch’s argument in The Fire and the Sun (Oxford, 1977), to which I will return later; in this context, see 64–5.
John N. Findlay, Plato: The Written and Unwritten Doctrines (New York, 1974), 109. Unless explicitly cited from some other work, references to Findlay, with page number, are to this important book.
H. S. Thayer, ‘Plato’s Quarrel with Poetry: Simonides’, Journal of the History of Ideas, 36 (1975), 3–26.
M. H. Partee, ‘Plato on the Rhetoric of Poetry’, Journal of Aesthetics and Art Criticism, 33 (1974), 203–12.
H. S. Thayer, ‘Plato on the Morality of Imagination’, Review of Metaphysics, 30 (1977), 594–618.
Cf. I. M. Linforth, ‘Telestic Madness in Plato, Phaedrus 244DE’, Univ. of California Publications in Classical Philogy, XIII (1944–50), 163–72.
Karl Popper, The Open Society and Its Enemies (London, 1945). Later references, abbreviated OS, will be to the 4th, revised, edition (Princeton, 1962).
Jane E. Harrison, Themis (1912; reprinted Gloucester, Mass., 1974), 328.
M. P. Nilsson, History of Greek Religion (2nd edn, Oxford, 1949), 3.
Jane E. Harrison, loc. cit.
Curt Sachs, Die Musik der Antike (New York, 1929), passim.
A. E. Taylor, Plato: The Man and his Work (London, 1926; 6th edn, 1949), 110.
Taylor, op. cit., 29.
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© 1984 Julius A. Elias
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Elias, J.A. (1984). The Attack. In: Plato’s Defence of Poetry. St Antony’s Series. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-06954-5_1
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