Abstract
Halfway through “The Tower”, Yeats’s masterful voice appears to stumble, tripping over some half-buried thought that prevents him from completing his sentence. He has been remembering Hanrahan, “created” and “thought out” by himself twenty years ago — specifically, that moment in the story “Red Hanrahan” when the ancient ruffian in the barn bewitches the playing cards into a pack of hounds and a hare, which Hanrahan rises as in a trance to follow:
Hanrahan rose in frenzy there
And followed up those baying creatures towards —
O towards I have forgotten what — enough!
I must recall a man … (VP 411–12)
And then Yeats too is off, compelled, like Hanrahan, to follow some new trace, forgetting where he started, wandering as if off the subject onto the new subject that becomes his theme for the rest of the stanza.
I have taken the “honey of generation” from Porphyry’s essay on “The Cave of the Nymphs,” but find no warrant in Porphyry for considering it the “drug” that destroys the “recollection” of prenatal freedom. He blamed a cup of oblivion given in the zodiacal sign of Cancer.
(Note to “Among School Children”, VP 828)
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Notes
See on this Frank Pearce Sturm: His Life, Letters and Collected Work, edited and with an introductory essay by Richard Taylor (Urbana, Chicago: University of Illinois Press, 1969), particularly pp. 60–1. Letters 23–5 contain the relevant correspondence with Yeats.
Sec on this subject my essay “Historians and Magicians: Ireland Between Fantasy and History”, in Peter Connolly (ed.), Literature and the Changing Ireland (Gerrards Cross: Colin Smythe, 1982), particularly pp. 147–50.
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© 1987 Warwick Gould
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Smith, S. (1987). Porphyry’s Cup: Yeats, Forgetfulness and the Narrative Order. In: Gould, W. (eds) Yeats Annual No. 5. Yeats Annual. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-06841-8_2
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