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Abstract

The Restoration of Charles II was an event of great moment and was proclaimed, expounded, celebrated and recorded in a profusion of pageantry and panegyric, tracts, sermons, pictures, diary entries and, later on, memoirs and histories. The array of responses to Charles’s return was effusive and apparently unanimous, although often clumsy or heavy-handed, and conveys a striking sense of surprise, wonder, and even shock. The king’s Restoration was a mystery verging on the miraculous, as many contemporaries saw it, and had come about with almost inexplicable suddenness and ease. Poets registered the wonder of the occasion abundantly and equally in prose writings religiosity combined with loyalism to confer a peculiarly exalted significance on the event, working to achieve for the political change a heightened, near-mythical status. To remove Charles’s Restoration from the shifting uncertainties of the immediate political situation required ingenuity and boldness and it is curious that what now might be regarded as a blatantly wishful way of seeing seems at the time to have been not merely convincing but inevitable and natural. Restoration panegyric was not the product of superficial time-serving alone. After twelve years of government upheaval, and after twelve months of particularly extreme instability, a fresh start which was also a return to stability was urgently desired.

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Notes

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© 1984 Nicholas Jose

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Jose, N. (1984). The State Chaos. In: Ideas of the Restoration in English Literature, 1660–71. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-06635-3_1

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