Abstract
The theatrical strength of Cleopatra obviously needs to be complemented by her Antony. It is here, however, that problems of staging the play often raise themselves. The relationship between the two characters requires a difficult balance of contrasting temperament which can pose real dilemmas for a casting director. Antony has to be considered in terms of his Cleopatra (or vice versa), of his infatuation, and of his past and present role as commander and Emperor.
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© 1983 Michael Scott
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Scott, M. (1983). Antony. In: Antony and Cleopatra. Text and Performance. Palgrave, London. https://doi.org/10.1007/978-1-349-06467-0_9
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DOI: https://doi.org/10.1007/978-1-349-06467-0_9
Publisher Name: Palgrave, London
Print ISBN: 978-0-333-33997-8
Online ISBN: 978-1-349-06467-0
eBook Packages: Palgrave Literature & Performing Arts CollectionLiterature, Cultural and Media Studies (R0)