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The Literary Response (ii)

  • Michael Spindler

Abstract

The First World War, despite the United States’ comparatively limited involvement, acted as a watershed between the old and the new in American culture, bringing trends which reinforced those arising from secular economic development. It produced its own crop of parvenu millionaires to add to the leisure class, increased the centralisation of industry, hastened the opening up of wider job opportunities for women, and by its militarisation of thousands of men brought them into contact with modern authoritarian organisation. It led to increased Federal management of public information and provided a pretext for curbing traditional civil liberties and cracking down on the political radicals through the Espionage Act of 1917 and the Sedition Act of 1918. Also, as has frequently been noted, the carnage witnessed between 1914 and 1918 seemed to invalidate the nineteenth-century confidence in progress, reason and morality and encouraged instead a general cultural pessimism and a cynicism with regard to received pious notions.

Keywords

Consumption Ethic Newspaper Headline Fictional Narrative Consumption Phase Leisure Class 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

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Notes

  1. 1.
    F. O. Matthiessen, Theodore Dreiser (New York: 1956) p. 191.Google Scholar
  2. 2.
    Malcolm Cowley, Exiles Return: A Narrative of Ideas (New York: 1934) pp. 69–72.Google Scholar
  3. 3.
    Daniel Bell, The Cultural Contradictions of Capitalism (London: 1976) p. 64.Google Scholar
  4. 4.
    Cowley, op. cit., pp. 113, 238.Google Scholar
  5. 5.
    Bell, op. cit., p. 110.Google Scholar
  6. 7.
    Lewis Mumford, The Culture of Cities (London: 1938) p. 270.Google Scholar
  7. 8.
    John Dos Passos, ‘Introduction’ to the Modern Library edition of The Forty-Second Parallel (New York: 1937).Google Scholar
  8. 10.
    Dos Passos, ‘Introductton’, op. cit.Google Scholar
  9. 11.
    I am referring to the revised edition published in 1948. See Malcolm Cowley’s note, Tender is the Night (Harmondsworth: 1955) p. 351.Google Scholar
  10. 12.
    See Daniel Aaron, Writers on the Left (Oxford and New York: 1977).Google Scholar
  11. 13.
    Arthur Miller, ‘Introduction’ to The Collected Plays (New York: 1957) p. 19.Google Scholar
  12. 14.
    Ibid., p. 23.Google Scholar

Copyright information

© Michael Spindler 1983

Authors and Affiliations

  • Michael Spindler

There are no affiliations available

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