Abstract
Modern is a complex word which means different things to a geologist, an historian and an aircraft-designer. The senses of ‘now existing’ and ‘of recent origin’ have grown further apart in every century since the word appeared in English in 1500. Much that now exists is held to be obsolete, in life and literature. Competing voices claim their own modernity and modern becomes increasingly highly charged when it means what is now desirable and elastic in its sense of now existing. Podsnap’s ‘not English!’ has been replaced by ‘not modern!’ Africans have suffered most from other people’s misguided attempts to modernise them, and much of their literature has been inspired by a reappraisal of their own present place. But African fiction is worth the attention of everybody interested in the state of the novel. It poses various challenges, not least to developments in criticism which are losing touch with what novelists actually write.
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Notes
See especially George Watson, The Story of the Novel (Macmillan, 1979).
Wole Soyinka, Myth, Literature and the African World (Cambridge University Press, 1976) p. x.
Chinua Achebe, Morning Yet on Creation Day (Heinemann, 1975) p. 9.
Dylan Thomas called it a ‘bewitching, tall, devilish story’ in his Observer review, 6 June 1952.
Mikhail Bakhtin, Problems of Dostoevsky’s Poetics (1929, 1963) trans. R. W. Rotsel (Ann Arbor: Ardis, 1973 ) p. 99.
See Robert Scholes and Robert Kellogg, The Nature of Narrative ( London: Oxford University Press, 1966 ).
E. D. McDonald (ed.), Phoenix: the Posthumous Papers of D. H. Lawrence (Heinemann, 1936, 1961) p. 538.
David Carroll, Chinua Achebe (Macmillan, 1980) p. 183.
This idea is to be found throughout V. S. Naipaul, Among The Believers: An Islamic Journey (Deutsch, 1981 ).
Albert Moravia, Which Tribe do You Belong To?, trans. Angus Davidson (Frogmore, St Albans: Panther Books, 1976 ) pp. 43–8.
Ngugi wa Thiong’o, Writers in Politics: Essays (Heinemann, 1981) pp. 15–16.
Zdzislaw Najder, ‘Conrad’s Casement Letters’, Polish Perspectives 17 (1974) 29; quoted in Ian Watt, Conrad: In the Nineteenth Century (Berkeley, Los Angeles: University of California Press, 1979 ) p. 160.
Karl Marx, Surveys from Exile, ed. David Fernbach (Harmondsworth: Penguin, 1973) pp. 306–7, 320.
Frantz Fanon, The Wretched of the Earth, trans. Constance Farrington (Harmondsworth: Penguin, 1967 ) p. 254.
Ngugi wa Thiong’o, Homecoming: Essays on African and Caribbean Literature, Culture and Politics (Heinemann, 1972) p. 43.
See Placide Tempels, Bantu Philosophy, trans. Colin King (Paris: Présence Africaine, 1969).
Elechi Amadi, Sunset in Biafra (Heinemann, 1969) p. 13.
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© 1983 Neil McEwan
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McEwan, N. (1983). Modern Africa. In: Africa and the Novel. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-06218-8_1
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