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Sean O’Casey: An Annual Bibliography

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O’Casey Annual No. 3

Part of the book series: Macmillan Literary Annuals ((MLA))

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Abstract

This bibliography is intended to cover items from one year to the next. Occasionally, though, I come across items which date further back than one year. These are included in this instalment.

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Bibliographies

  • Greaves, C. Desmond, Sean O’Casey: Politics and Art (London: Lawrence amp; Wishart; Atlantic Highlands, N. J.: Humanities Press, 1979) pp. 197–9.

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  • Mikhail, E. H., “Sean O’Casey: An Annual Bibliography”, O’Casey Annual (London), no. 1 (1982) 180–92.

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  • Somer, John, and Barbara E. Cooper, “Drama”, American amp; British Literature, 1945–197. 5: An Annotated Bibliography of Contemporary Scholarship (Lawrence, Kansas: Regents Press, 1980) pp. 73–107 passim.

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  • Stapelberg, Peter, Sean O’Casey und das deutschsprachige Theater (1949–1974) (Frankfurt and Bern: Lang, 1979) pp. 342–85.

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II Criticism

  • Achilles, Jochen, “Sean O’Casey’s and Denis Johnston’s National Plays: Two Dramatic Approaches to Irish Society”, in Studies in Anglo-Irish Literature ed. Heinz Kosok (Bonn: Bouvier, 1982) pp 269–77.

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  • Atkinson, Brooks, Sean O’Casey from Times Past, ed. Robert G. Lowery (London: Macmillan, 1981; New York: Barnes and Noble, 1982 ).

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  • Ayling, Ronald, “Sean O’Casey”, in Modern British Dramatists 1900–194.5, part 2, ed. Stanley Weintraub, Dictionary of Literary Biography, vol. 10 ( Detroit: Gale Research Company, 1982 ) pp 71–90.

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  • Bennett, Benjamin, Modern Drama and German Classicism: Renaissance from Lessing to Brecht (Ithaca and London: Cornell Universty Press, 1979) pp. 309–14 [Juno and the Paycock and The Plough and the Stars].

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  • Elsom, John, Post-war British Theatre Criticism ( London and Boston: Routledge amp; Kegan Paul, 1981 ) p. 92.

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  • Guernsey, Otis L., ed., The Best Plays of 1980–1981 (New York: Dodd, Mead, 1981) p. 67 [Juno and the Paycock]; p. 421 [Ah, Men, musical revue based on the views of O’Casey and others].

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  • Hayley, Barbara, ed., Sean O’Casey: Juno and the Paycock. York Notes (London: Longman; Beirut: York Press, 1981 ).

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  • Jochum, K. P. S., “Die späten Dramen O’Caseys”, in Einführung in die zeitgenössische irische Literatur, ed. Joachim Kornelius, Erwin Otto, and Gerd Stratmann (Heidelberg: Carl Winter, 1980 ) pp. 79–91.

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  • Kleiman, Carol, Sean O’Casey’s Bridge of Vision: Four Essays on Structure and Perspective ( Toronto: University of Toronto Press, 1982 ).

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  • Maxwell, D. E. S., “The Shape-Changers”, in Yeats, Sligo and Ireland: Essays to Mark the 21st Yeats International Summer School ed. A. Norman Jeffares. Irish Literary Studies 6 (Gerrards Cross, Buckinghamshire: Colin Smythe, 1980) p. 165 [The Plough and the Stars].

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  • Mili, Gjon, Photographs and Recollections (Boston: New York Graphic Society, 1980) pp. 98–103.

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  • Mitchell, Jack, The Essential O’Casey: A Study of the Twelve Major Plays of Sean O’Casey (New York: International Publishers; Berlin: Seven Seas Books, 1980 ).

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  • Styan, J. L., Modern Drama in Theory and Practice, vol. 1: Realism and Naturalism (Cambridge: Cambridge University Press, 1981) pp. 104–8 [The Dublin Trilogy].

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  • Styan, J. L., Modern Drama in Theory and Practice, vol. 3: Expressionism and Epic Theatre (Cambridge: Cambridge University Press, 1981) pp. 121–8 [The later plays].

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  • Venneberg, Ute, “Problems in Translating Sean O’Casey’s drama Juno and the Paycock”, in The Languages of Theatre: Problems in the Translation and Transposition of Drama, ed. Ortrun Zuber (Oxford: Pergamon Press, 1980 ) pp. 121–31.

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  • Warner, Alan, “Sean O’Casey”, in A Guide to Anglo-Irish Literature ( Dublin: Gill and Macmillan; New York: St. Martin’s Press, 1981 ) pp. 132–42.

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  • Willis, John, ed., Theatre World, 1979–80 Season (New York: Crown Publishers, 1981) p. 91 [The Shadow of a Gunman]; p. 145 [A Pound on Demand and Bedtime Story]; p. 155 [Bedtime Story].

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  • Willis, John, ed., Theatre World, 1980–1981 Season (New York: Crown Publishers, 1982) p. 207 [Juno and the Paycock].

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  • Zeiss, Cecelia, “Sean O’Casey’s Final Tragicomedies: A Comment on the Dramatic Modes Employed in Cock-a-Doodle Dandy and The Bishop’s Bonfire”, in Studies in Anglo-Irish Literature, ed. Heinz Kosok (Bonn: Bouvier, 1982 ) pp. 278–86.

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  • Ayling, Ronald, “Portrait of the Artist as a Slum Gutter-Snipe”, O’Casey Annual (London), no. 1 (1982) 3–16.

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  • Ayling, Ronald, “Essential But One-Sided”, Irish Literary Supplement, i (Fall 1982) 8 [Review of The Essential O’Casey].

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  • Benstock, Bernard, “Sean O’Casey’s Little Cloud”, O’Casey Annual (London), no. 1 (1982) 64–72.

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  • Benstock, Bernard, “Sean O’Casey: Roots and Branches”, O’Casey Annual (London), no. 1 (1982) 212–23 [Review article on the special 1980 issue of Irish University Review].

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  • Benstock, Bernard, “The Harvest Festival”, O’Casey Annual (London), no. I (1982) 224–8 [Review article].

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  • Buggy, Tom, “Sean O’Casey’s Dublin”, O’Casey Annual (London), no. 1 (1982) 88–96.

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  • Carpenter, Charles A., “Ronald Ayling and Michael J. Durkan. Sean O’Casey: A Bibliography”, Modern Drama 24 (March 1981) 119–20 [Review article].

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  • Cusack, Cyril, “The Irish Actor”, Prompts: Bulletin of the Irish Theatre Archive (Dublin), no. 2 (Sept. 1981) 3–4 [Contrasts two productions of Juno and the Paycock by the Abbey Theatre and by the Royal Shakespeare Company].

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  • Durbach, Errol, “Book Reviews”, Modern Drama 24 (June 1981) 234–6 [Review article on Sean O’Casey’s Drama: Verisimilitude and Vision by Ronald G. Rollins; and O’Casey’s Satiric Vision by B. L. Smith].

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  • Fitzgerald, Mary, “How the Abbey Said No: Readers’ Reports and the Rejection of The Silver Tassie”, O’Casey Annual (London), no. I (1982) 73–87.

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  • Gibbons, Renee, “The Green Crow Caws”, O’Casey Annual (London), no. 1 (1982) 232–3 [Review article on the record].

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  • Kawano, Tomiaki, “O’Casey’s Women in the ‘Dublin Trilogy’ ”, Eigo Ei-bubgaku (Kumamato University), 23 (1979) 36–57 [In Japanese].

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  • Kenneally, Michael, “The Changing Contents of O’Casey’s Autobiogra-phy”, O’Casey Annual (London), no. 1 (1982) 148–66.

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  • Kenneally, Michael, “The O hAodha Enigmas”, Irish Literary Supplement, I (Fall 1982) 9 [Review of The O’Casey Enigma ed. Micheal O hAodha].

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  • Kosok, Heinz, “The Three Versions of Red Roses for Me”, O’Casey Annual (London), no. I (1982) 141–7.

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  • Krause, David, “The Ironic Victory of Defeat in Irish Comedy”, O’Casey Annual (London), no. I (1982) 33–63.

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  • Lowery, Robert G., “Sean O’Casey”, Irish Literary Supplement, 1 (Spring 1982) 8 [Review of The Letters of Sean O’Casey].

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  • Lowery, Robert G., “Editor’s Notes”, O’Casey Annual (London), no. I (1982) xi-xii. —, “The Autobiographies: an Historical Approach”, O’Casey Annual (London), no. 1 (1982) 97–140.

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  • Lowery, Robert G, “The Essential O’Casey”, Political Affairs (New York) (April 1982), 20, 40 [Review of The Essential O’Casey].

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  • See C. Desmond Greaves, “O’Casey in Context: A Response to Lowery”, and Lowery’s ‘A Rejoinder“ (July 1982) 39–40.

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  • Lowery, Robert G, “Autobiographies … ’, Irish Literary Supplement, 1 (Spring 1982) 9 [Review of Autobiographies 2 vols, Macmillan and Pan Books editions].

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  • MacDonogh, Steve, “Letters to the Editor”, Books Ireland no. 61 (Mar. 1982) 30 [The Story of the Irish Citizen Army].

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  • Maroldo, William J., “O’Casey’s Tributes to Joyce in the First Irish Book”, O’Casey Annual (London), no. I (1982) 17–32.

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  • Mitchell, Jack, “Desmond Greaves: Sean O’Casey: Politics and Art”, O’Casey Annual (London), no. 1 (1982) 195–211 [Review article].

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  • Murphy, Maureen, ‘James R. Scrimgeour: Sean O’Casey’, O’Casey Annual (London), no. 1 (1982), 229–31 [Review article].

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  • Murray, Christopher, “Three Letters from Lady Gregory”, Prompts: Bulletin of the Irish Theatre Archive (Dublin), no. 1 (June 1981) 5–7 [Makes references to O’Casey’s association with Lady Gregory and Michael J. Dolan].

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  • O’Riordan, John, “Inoffensive Tune”, Spectator (London), (24 Oct. 1981) 17 [Letter to the Editor refuting the suggestion that ‘Lilliburlero’, as the anthem of Protestant Ireland, is offensive to Irish Roman Catholics by citing its appearance in The Drums of Father Ned]. See correspondence by Patrick Bury, (31 Oct. 1981) 20; and Stan Gebler Davies, (7 Nov. 1981 ) 30.

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  • O’Valle, Violet M., “Melville, O’Casey, and Cock-a-Doodle Dandy”, O’Casey Annual (London), no. 1 (1982) 167–79.

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  • Schrank, Bernice, “Th’ Nakedness o’ th’ Times: Dressing-up in The Plough and the Stars”, Canadian Journal of Irish Studies 7 (Dec. 1981) 5–20 [In this play O’Casey uses the characters’ concern about clothing to indicate their inarticulate aspirations].

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  • Sexton, Maire, “W. B. Yeats, Wilfred Owen and Sean O’Casey”, Studies (Dublin), 70 (Spring 1981) 88–95.

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  • Smith, Bobby L., “… and Essays”, Irish Literary Supplement, 1 (Spring 1982) 9 [Review of Essays on Sean O’Casey’s Autobiographies ed. Robert G. Lowery, and of Sean O’Casey Centenary Essays, ed. David Krause and Robert G. Lowery].

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Authors
  1. E. H. Mikhail
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Editor information

Robert G. Lowery

Copyright information

© 1984 Robert G. Lowery

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Mikhail, E.H. (1984). Sean O’Casey: An Annual Bibliography. In: Lowery, R.G. (eds) O’Casey Annual No. 3. Macmillan Literary Annuals. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-06212-6_7

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