Abstract
As Kipling reminds us in Something of Myself, the blood of two Wesleyan ministers ran in his veins, and critics have suggested that, although he never met either grandparent, this distant influence may have accounted for the persistent strain of didacticism in his work. In Kipling’s hands, even the simplest children’s tales — e.g., the fust So Stories — seem, in some sense, to be told from the pulpit. However frolicsome their tone, a sub-text of “lessons” can be discerned. In this way, the storyteller in Kipling walked arm in arm with the moralist.
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Notes
Joseph Conrad, The Portable Conrad (New York: Viking Press, 1947), p. 299.
Vasant A. Shahane, Rudyard Kipling: Activist and Artist (Carbondale and Edwardsville, Illinois: Southern Illinois Univ. Press, 1973). p. 74.
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© 1982 Robert F. Moss
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Moss, R.F. (1982). Kipling’s Schoolroom: The Evolution of a Training Process. In: Rudyard Kipling and the Fiction of Adolescence. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-05709-2_3
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DOI: https://doi.org/10.1007/978-1-349-05709-2_3
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