Abstract
The maddening sprawl of Kipling’s work is perfectly reflected in his fragmentary autobiography Something of Myself, a remarkable work embodying nearly every characteristic for which Kipling has been either damned or celebrated. Similarly, on its own miniaturist scale, the brief impressionistic passages about Kipling’s infancy in Bombay diagram much of his life and work for us. We learn of young Rudyard’s “morning walks to the Bombay fruit market with my ayah” the “far-going Arab dhows on the pearly waters”, and of what he regarded as the servant’s “curious mixture of deep affection and shallow device”. We also learn of a “marvellous place filled with smells of paints and oils … the atelier of my Father’s school of Art”.1
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Notes
J.I.M. Stewart, Rudyard Kipling (New York: Dodd, Mead, 1966), p. 1.
Louis Cornell, Kipling in India (London and New York: St Martin’s Press, 1966), p. 23.
Charles Carrington, The Life of Rudyard Kipling (Garden City, New York: Doubleday, 1955), p. 18.
Bonamy Dobrée, The Lamp and the Lute (Oxford: Oxford at the Clarendon Press, 1929), p. 53.
George Orwell, “Rudyard Kipling” in Kipling and the Critics, ed. Elliot L. Gilbert (New York: New York Univ. Press, 1965), pp. 79–80.
Angus Wilson, The Strange Ride of Rudyard Kipling (New York: The Viking Press, 1978), p. 160.
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© 1982 Robert F. Moss
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Moss, R.F. (1982). The Foundations. In: Rudyard Kipling and the Fiction of Adolescence. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-05709-2_1
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