Abstract
To evaluate the world view of Sean O’Casey assumes at least two things: (1) that he had a world view, and (2) that it is worth evaluating. That he had such a view is given: we all have one. We all try to make sense of the world around us and ourselves in it. We probably don’t call it a Weltanschauung (certainly O’Casey didn’t), but there are few words that say and mean so much. Moreover, the word Weltanschauung is preferable to philosophy. A philosophy implies at least a worked-out system of dos, don’ts, laws and axioms, and O’Casey did not systemise his world in that way. To presume that O’Casey’s world view is worth studying is undoubtedly subjective. At the same time few can deny his importance to Irish drama, his impact on Irish and world literature, and his international stature as a world figure.
Th’ whole worl’s in a terrible state of chassis.
Captain Boyle in Juno and the Paycock
It is not the consciousness of men that determines their existence, but on the contrary their existence determines their consciousness.
Karl Marx, Critique of Political Economy, Preface
Work — work — work
Till the brain begins to swim!
Work — work — work
Till the eyes are heavy and dim!
Thomas Hood, The Song of the Shirt
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Notes
See Sean O’Casey in Robert Hogan (ed.), Feathers from a Green Crow (London: Macmillan, 1963) which reprints O’Casey’s The Story of the Irish Citizen Army.
The most complete chronology of O’Casey’s life is found at the beginning of David Krause (ed.), The Letters of Sean O’Casey, I, (New York and London: 1975).
Sean O’Casey, Drums under the Windows (New York: Macmillan, 1946) p. 93. Page numbers for references and quotations from this volume (abbreviated to DUTW) will be given in brackets.
Quoted in Proinsias MacAonghuse and Liam Reagain (eds.), The Best of Tone, (Cork: Mercier Press, 1972) p. 4.
O’Casey’s primary job in the IRB was recruitment, for which see Leon O’Broin, Revolutionary Underground (Dublin: Gill Macmillan, 1976) pp. 146–9.
One of the more interesting books about this phenomenon is Andrew Carpenter (ed.), Place, Personality and the Irish Writer (Great Britain: Colin Smythe, 1977), which tries to explore the manner in which writers drew inspiration from the west of Ireland.
Sean O’Casey, Under a Colored Cap (London and New York: Macmillan and St Martin’s Press, 1964) p. 263.
George Bernard Shaw, John Bull’s Other Island in Collected Plays with Prefaces, II (New York: Dodd, Mead & Co., 1963) p. 441.
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© 1981 Robert G. Lowery
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Lowery, R.G. (1981). The Development of Sean O’Casey’s Weltanschauung. In: Lowery, R.G. (eds) Essays on Sean O’Casey’s Autobiographies. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-04746-8_3
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DOI: https://doi.org/10.1007/978-1-349-04746-8_3
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