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Conclusion: Typology and a Critic’s Choice

  • Patrick Grant

Abstract

During the seventeenth century empirical science helped to discredit the literary imagination as a mediator between nature and God. The mediaeval sense of correspondence between meaning and appearance yielded to scepticism about what human perception could truthfully tell of the world. A fifth-columnist had lain within the human mind all along, and the new thinkers subjected perception itself to more careful scrutiny than it had ever received before. Locke’s Essay Concerning Human Understanding, the work most representative of the new movement, is the first full length philosophical study in Europe devoted entirely to epistemology.

Keywords

Religious Commitment Literary Imagination Religious Symbol Modern Author Realistic Fiction 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

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Notes

  1. 1.
    See Ernst Cassirer, An Essay on Man (New York: Bantam Books, 1970), pp. 230–31; 119.Google Scholar
  2. 2.
    Albert Camus’s term: see The Myth of Sisyphus, and Other Essays, trans. Justin O’Brian (New York: Vintage Books, 1955), p. 86.Google Scholar

Copyright information

© Patrick Grant 1979

Authors and Affiliations

  • Patrick Grant
    • 1
  1. 1.University of VictoriaCanada

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