Abstract
Ruskin’s own account of his upbringing, contained in the autobiographical Praeterita, leaves the impression that his mother was the dominant influence in forming his character. But Praeterita, written when Ruskin was in his sixties, is not always to be trusted; and his early correspondence with his father suggests that John James Ruskin may have had an equal effect on his young son. John James’s prime concern was with this world rather than the next. When Ruskin reached the age of twelve, his father allowed him a taste of wine, Byron at dessert, and visits to the theatre; on these last occasions Margaret’s principles forced her to stay at home.
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Notes
W. Buckland, Vindiciae Geologicae (1820), p. 23.
W. Buckland, Reliquiae Deluvianae (1823), reviewed in the Quarterly Review 29 (1823) p. 138 and Edinburgh Review 39 (1823) p. 196.
Stopford Brooke, The Life and Letters of F. W. Robertson (1874) p. 305.
J. D. Harding, The Principles and Practice of Art (1845), pp. 13, 150.
See R. Wittkower, ‘Imitation, Eclecticism and Genius’, in Aspects of the Eighteenth Century, ed. E. R. Wasserman (1965), pp. 143–61.
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© 1979 Patrick Conner
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Conner, P. (1979). The Graduate of Oxford. In: Savage Ruskin. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-04222-7_2
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