Abstract
In Advertisements for Myself, the interaction between the narrator and the several fictional protagonists ultimately betrays a garrulous and uncompromising attitude toward a world whose duplicity primarily serves to illustrate the public fate of Normal Mailer. The two collections of public writing that Mailer published in the 1960s demonstrate a marked change. The voice that links the articles is quieter, more obviously dedicated to the subject of them, while Mailer’s point of view in these articles possesses, for the most part, a secure fictional control over the material. Although The Presidential Papers was published in 1963 and Cannibals and Christians five years later (a time lapse that records the progression from Mailer’s cautious optimism during the Kennedy administration to his open woe during Johnson’s years in office), there are important themes which are common to both collections. These books reveal an assurance in Mailer’s prose style and in his stance toward his choice of subject matter which enabled him to return to the novel which he had deserted ten years earlier.
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Notes
Brock Brower, ‘Always the Challenger’, Life, 18 October 1965, p. 49.
James Guetti, The Limits of Metaphor ( New York: Cornell University Press, 1969 ), p. 178.
Norman Mailer, Deaths for the Ladies (and other disasters) (New York: Signet Books, 1971), reprinted in Cannibals and Christians p. 194. Deaths for the Ladies (and other disasters) is not paginated.
Richard Poirier, The Aesthetics of Contemporary American Radicalism ( Leicester: Leicester University Press, 1972 ), p. 13.
Ihab Hassan, ‘Beyond a Theory of Literature: Intimations of Apocalypse?’, Comparative Literature Studies, 1, No. 4 (1964), 261–71.
Norman Mailer, An American Dream (London: André Deutsch, 1965) p. 45. Subsequent references to this edition will appear in the text.
Northrop Frye, Anatomy of Criticism: Four Essays ( Princeton: Princeton University Press, 1957 ), p. 223.
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© 1979 Jennifer Bailey
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Bailey, J. (1979). ‘The Existential Hero’ and the ‘Bitch Goddess’. In: Norman Mailer: Quick-Change Artist. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-04157-2_3
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DOI: https://doi.org/10.1007/978-1-349-04157-2_3
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-04159-6
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