Skip to main content

Quartet

  • Chapter
Jean Rhys

Abstract

The sketches in The Left Bank and Other Stories represented an apprenticeship completed and an initial impulse fulfilled. The author had learned from Ford Madox Ford the idiom in which modern fiction was to be rendered effectively, and how personal experience could be transmuted into the subject matter of art. Her intuitive sense of form gave several of these short stories originality, centrality of focus, and unity of theme. The novel, however, creates enlarged and different demands; it is a genre more complex, more sustained and, if it permits less refinement, it also calls for a more substantial rendering of character and a more amplified definition of experience.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 84.99
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 109.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 109.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Authors

Copyright information

© 1979 Thomas F. Staley

About this chapter

Cite this chapter

Staley, T.F. (1979). Quartet . In: Jean Rhys. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-04078-0_3

Download citation

Publish with us

Policies and ethics