Abstract
In God’s Stepchildren, published in 1924, Sarah Gertrude Millin wrote of the British attitude to the ‘colour problem’:
… colour was so rare a thing [there] that it was only a matter of casual consequence: the ordinary person did not think of it, or brood over it, or consider it, or understand it.1
This article was written by Dr David Rabkin as a chapter in an uncompleted study of South African fiction, before he was sentenced to ten years’ imprisonment in 1976 under the provisions of the South African ‘Terrorism Act’. He is serving his sentence in Pretoria Prison. The chapter has been very slightly edited by Arthur Ravenscroft for publication as an article.
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Notes
Sarah Gertrude Millin, God’s Stepchildren (London, 1924) p. 263, in the undated Central News Agency (Johannesburg) edition with a Preface (dated 1 January 1951) by the author. All references are to this edition.
William Plomer, Turbott Wolfe (1926; 2nd edition, 1965) p. 68; all references in this article are to the 1965 edition.
J. P. L. Snyman, The South African Novel in English 1880–1930 (U. of Potchefstroom, Potchefstroom S.A. 1952).
Michael Wade, ‘William Plomer, English Liberalism, and the South African Novel’, The Journal of Commonwealth Literature, VIII, 1, p. 22.
V. Klima, South African Prose Writing in English (Prague, 1971) p. 73.
William Plomer, Double Lives (London: Jonathan Cape, 1943) p. 9.
Laurens van der Post, ‘Introduction’, Turbott Wolfe, 1965 edition, pp. 32–3.
Cosmo Pieterse, ‘Conflict in the Germ’, Protest and Conflict in African Literature, ed. C. Pieterse and D. Munro (London, 1969) pp. 1–26.
Nadine Gordimer, ‘The Novel and the Nation in South Africa’, African Writers on African Writing, ed. G. D. Killam (London, 1973) p. 39.
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© 1978 David Rabkin
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Rabkin, D. (1978). Race and Fiction: God’s Stepchildren and Turbott Wolfe . In: Parker, K. (eds) The South African Novel in English. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-03689-9_5
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DOI: https://doi.org/10.1007/978-1-349-03689-9_5
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