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Sensibility and form

  • Suguna Ramanathan

Abstract

The reaction of C.P. Snow against modernism in general and the aesthetic novel in particular has become part of literary history. It is now pretty generally agreed that Snow is a contemporary1 who regards himself as part of a continuing tradition, who unreservedly hailed the scientific and technological revolution, initially at any rate, and was preoccupied as much with the world of man’s social, political and public interests as with the examination of his inner life. Such was the critics’ assessment of Snow in the sixties and they were, of course, right in the main. But viewed today, in the shadowed light of the later novels, he appears as a writer who, besides carrying on within the old tradition of the realistic novel, was groping, fumbling towards the expression of a peculiar, individual, extra-literary sensibility.

Keywords

Lightning Flash Biographical Sketch Notorious Attack Ordinary World Sonalist Vision 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

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Notes

  1. 2.
    C.P. Snow, In Their Wisdom (New York: Scribner, 1974) p. 345.Google Scholar
  2. 3.
    C.P. Snow, The Sleep of Reason (London: Penguin, 1971) p. 232.Google Scholar
  3. 4.
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  4. 5.
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    C.P. Snow, The Affair (London: Penguin, 1970) p. 103.Google Scholar
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    C.P. Snow, Variety of Men (New York: Scribner, 1967) p. 22, and Homecomings (London: Penguin, 1966) p. 203.Google Scholar
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    C.P. Snow, Trollope: His Life and Art (New York: Scribner, 1975) p. 62.Google Scholar
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Copyright information

© Suguna Ramanathan 1978

Authors and Affiliations

  • Suguna Ramanathan

There are no affiliations available

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