Skip to main content

Productions and Adaptations

  • Chapter
John Marston’s Plays
  • 16 Accesses

Abstract

The way in which Marston creates his composite dramatic images testifies to his technical ability as a playwright. It is not surprising, therefore, that the texts show a lively concern for stage directions, for the play in production.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 54.99
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Notes

  1. See Francis Kirkman, The Wits or Sport upon Sport (1673), ed. John James Elson (Ithaca, NY, 1932 ) pp. 346–67.

    Google Scholar 

  2. See, Leo Hughes and Arthur H. Scouten, ‘Some Theatrical Adaptations of a Picaresque Tale’, Studies in English (Austin, Texas, 1945–6 ) p. 102.

    Google Scholar 

  3. Christopher Bullock, A Woman’s Revenge; or A Match in Newgate (London, 1715) p. 56.

    Google Scholar 

Download references

Authors

Copyright information

© 1978 Michael Scott

About this chapter

Cite this chapter

Scott, M. (1978). Productions and Adaptations. In: John Marston’s Plays. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-03368-3_8

Download citation

Publish with us

Policies and ethics