Abstract
Clough sent an early draft of Amours de Voyage to J. C. Shairp, who wrote:
The state of soul of which it is a projection I do not like. It strikes me as the most Werterish (not that I ever read Werter) of all you have yet done. There is no hope, nor strength, nor belief in these; — everything crumbles to dust beneath a ceaseless self-introspection and criticism which is throughout the one only inspiration. The gaiety of manner where no gaiety is, becomes flippancy.… The Ambarvalia, if Werterish, was honest serious Werterism — but this is Beppoish or Don Juanish (If I remember them right). The Hexameters still do not go down with me. They give me a sense of Travestie — which is their place I think … I won’t flatter; but you were not made, my dear Clough, to make sport before The Philistines in this way, but for something else.1
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© 1979 Mark Storey
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Storey, M. (1979). The Sound of Distant Laughter: Clough. In: Poetry and Humour from Cowper to Clough. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-03242-6_6
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DOI: https://doi.org/10.1007/978-1-349-03242-6_6
Publisher Name: Palgrave Macmillan, London
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