Abstract
On the lower levels, the language of bookselling has not changed a great deal for half a century. Its clichés have shown remarkable stamina. On one side of the Atlantic we receive such orders as:
Fill your bookshelves with the most brilliantly colourful characters in English literature … Evil Fagin, the Artful Dodger, pathetic little Oliver Twist, the improvident Micawber, Mr. Pickwick and his friends, poor little Emily, Pip, Scrooge, and the rest of Dickens’ unforgettable characters! Story after story, from his experiences and amazingly fertile mind. Dickens creates a world of larger-than-life people, whose lives you share … their joy and despair, hunger, fear, laughter, greed.1
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Chapter 3
A.R. Jones, ‘The Theatre of Arnold Wesker’, Critical Quarterly, Winter 1960, p. 367.
John Berger and others, The Art of Seeing (BBC/Penguin Books,1972) p.10.
Roland Penrose, Picasso ( London: Pelican Books, 1971 ) p. 141.
Eric Salzman: Twentieth Century Music: An Introduction (New Jersey: Prentice-Hall, 2nd ed., 1974) p. 22.
Karl H. Wörner, Stockhausen. Introduced, translated and edited by Bell Hopkins (London: Faber, 1973 ) p. 62.
Andy Grunberg, ‘Photography, Chicago, Moholy and After’, Art in America, September/October 1976.
Article by Walter Klepac on Pierre Boogaert, Arts Canada July/August 1976.
John Russell and Suzi Gablik (eds.), Pop Art Redefined ( London: Thames and Hudson, 1969 ) p. 54.
John H. Walker, Art Since Pop, ( London: Thames and Hudson, 1975 ) pp. 6–7.
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© 1978 Kenneth Hudson
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Hudson, K. (1978). Literature and the Arts. In: The Jargon of the Professions. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-03199-3_4
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DOI: https://doi.org/10.1007/978-1-349-03199-3_4
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-03201-3
Online ISBN: 978-1-349-03199-3
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