Abstract
‘Reviewing my critical output for the last thirty years,’ T. S. Eliot commented in 1950, ‘I am impressed to find how constantly I have returned to the drama.’1 Yeats might well have used similar words about himself two decades earlier—though no doubt, his interests being wider, he would not have forgotten to include the theatre and its problems.
I think the theatre must be reformed in its plays, its speaking, its acting, and its scenery. That is to say, I think there is nothing good about it at present.
What attracts me to drama is that it is, in the most obvious way, what all the arts are upon a last analysis…It is an energy, an eddy of life purified from everything but itself .—W.B. Yeats
From this proceeded thirty years of toil Leading a nation in the ways of thought, Founding a theatre, making playwrights write, And actors speak, and painters decorate; Pouring sweet oil on many an angry wound, Fighting misunderstanding, hatred, falsehood, Encouraging, exhorting and expounding…—John Masefield
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© 1980 Vinod Sena
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Sena, V. (1980). The Most Vivid Image of Life: Theatre and Drama. In: W. B. Yeats. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-349-03163-4_3
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DOI: https://doi.org/10.1007/978-1-349-03163-4_3
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-03165-8
Online ISBN: 978-1-349-03163-4
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