A Reconstruction of the Fortune Playhouse: Part I

  • Richard Hosley


In this, the first part of a two-part essay, I examine some basic questions which have arisen in an attempt to reconstruct the first Fortune playhouse: depth of stage, height of tiring-house storeys, number and size of bays of the playhouse frame, location of yard entrances, and location of staircases. In Part ii, to appear in Volume vii of The Elizabethan Theatre, I deal with remaining aspects of the reconstruction, among them seating and sightlines, the stage superstructure, and the design of the tiring-house facade.


Ground Plan General Entrance Early Reconstruction Privy Council Exact Depth 
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  1. 1.
    Good general accounts of the Fortune playhouse are provided by Joseph Quincy Adams, Shakespearean Playhouses (Boston, 1917)Google Scholar
  2. E. K. Chambers, The Elizabethan Stage (ES), Vol. II (Oxford, 1923 )Google Scholar
  3. G. E. Bentley, The Jacobean and Caroline Stage (JCS), Vol. VI (Oxford, 1968 ).Google Scholar
  4. 2.
    W. W. Greg (ed.), Henslowe Papers (HP) (London, 1907 ), p. 29.Google Scholar
  5. 3.
    Printed in R. A. Foakes and R. T. Rickert (eds.), Henslowe’s Diary (HD) (Cambridge, 1961 ), pp. 307–10.Google Scholar
  6. 4.
    Joseph Wright, Historia Histrionica (1699)Google Scholar
  7. 5.
    Reproductions in C. Walter Hodges, The Globe Restored (London, 1968; originally published in 1953 ).Google Scholar
  8. 7.
    Godfrey, “An Elizabethan Theatre”, Architectural Review, Vol. XXIII (1908)Google Scholar
  9. Archer, “The Fortune Theatre, 1600”, Shakespeare Jahrbuch, Vol. XLIV (1908).Google Scholar
  10. 10.
    L. F. Salzman, Building in England down to 1540 (Oxford, 1952 ), pp. 516, 542.Google Scholar
  11. 18.
    Translation by Ernest Schanzer, in “Thomas Platter’s Observations on the Elizabethan Stage”, Notes and Queries, CCI (1956), 466.Google Scholar

Copyright information

© Richard Hosley 1978

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  • Richard Hosley

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