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Part First of ‘the Dynasts’

1904–1905: Aet. 63–65
  • Florence Emily Hardy

Abstract

As The Dynasts contained ideas of some freshness, and was not a copy of something else, a large number of critics were too puzzled by it to be unprejudiced. The appraisement of the work was in truth, while nominally literary, at the core narrowly Philistine, and even theosophic. Its author had erroneously supposed that by writing a frank preface on his method — that the scheme of the drama was based on a tentative theory of things which seemed to accord with the mind of the age; but that whether such theory did or not so accord, and whether it were true or false, little affected his object, which was a poetical one wherein nothing more was necessary than that the theory should be plausible — a polemic handling of his book would be avoided. Briefly, that the drama being advanced not as a reasoned system of philosophy, nor as a new philosophy, but as a poem, with the discrepancies that are to be expected in an imaginative work, as such it would be read.

Keywords

Jewish State Tentative Theory Parish Church Grand Hotel Late Illumination 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

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Copyright information

© Macmillan & Co Ltd 1962

Authors and Affiliations

  • Florence Emily Hardy

There are no affiliations available

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