Collecting Old Poems and Making New

1897–1898: Aet. 57–58
  • Florence Emily Hardy


The misrepresentations of the last two or three years affected but little, if at all, the informed appreciation of Hardy’s writings, being heeded almost entirely by those who had not read him; and turned out ultimately to be the best thing that could have happened; for they wellnigh compelled him, in his own judgment at any rate, if he wished to retain any shadow of self-respect, to abandon at once a form of literary art he had long intended to abandon at some indefinite time, and resume openly that form of it which had always been more instinctive with him, and which he had just been able to keep alive from his early years, half in secrecy, under the pressure of magazine writing. He abandoned it with all the less reluctance in that the novel was, in his own words, ‘gradually losing artistic form, with a beginning, middle, and end, and becoming a spasmodic inventory of items, which has nothing to do with art’.


Romantic Passion Imperial Institute Railway Train Saturday Review Strange Feeling 
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© Macmillan & Co Ltd 1962

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  • Florence Emily Hardy

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