Skip to main content

Introduction

  • Chapter
  • First Online:
  • 427 Accesses

Abstract

Outlines the approach and structure of the book. Covers some key definitions. Discusses the nature of genre in popular music. Emphasises the cross-disciplinary nature of the book and examines where the ‘meaning’ of a popular song lies, concluding that both music and lyrics must be considered together. Briefly looks at the way in which war has been depicted musically and how popular music engaged with the topic of the First World War between 1919 and the late 1950s.

This is a preview of subscription content, log in via an institution.

Buying options

Chapter
USD   29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD   99.00
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD   129.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD   129.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Learn about institutional subscriptions

Bibliography

  • Adorno, T. (1941). On popular music. In Studies in philosophy and social science. New York: Institute of Social Research.

    Google Scholar 

  • Arnold, B. (1993). Music and war: A research and information guide. New York: Garland.

    Google Scholar 

  • Baker, C. (2010). Sounds of the borderland: Popular music, war and nationalism in Croatia since 1991. Aldershot: Ashgate.

    Google Scholar 

  • Bicknell, J. (2009). Why music moves us. New York: Palgrave Macmillan.

    Book  Google Scholar 

  • Borthwick, S., & May, R. (2004). Popular music genres: An introduction. Edinburgh: Edinburgh University Press.

    Google Scholar 

  • Burns, L., & Lafrance, M. (2002). Disruptive Divas: Feminism, identity and popular music. New York/London: Routledge.

    Google Scholar 

  • Clover, J. (2009). 1989: Bob Dylan didn’t have this to sing about. Berkeley: University of California Press.

    Google Scholar 

  • Cope, A. L. (2010). Black Sabbath and the rise of heavy metal music. Farnham: Ashgate.

    Google Scholar 

  • Cusick, S. (2006). Music as torture, music as weapon, TRANS Revista Transcultural de Musica 10. http://www.sibetrans.com. Accessed 18 Oct 2015.

  • Das, S. (2013). Reframing First World War poetry: An introduction. In S. Das (Ed.), The Cambridge companion to the poetry of the First World War (pp. 3–34). Cambridge: Cambridge University Press.

    Chapter  Google Scholar 

  • Fabbri, F. (1982). A theory of musical genre: Two applications. In D. Horn & P. Tagg (Eds.), Popular music perspectives (pp. 52–81). Gothenburg/Exeter: IASPM.

    Google Scholar 

  • Frith, S. (1996). Performing rights: On the value of popular music. Cambridge MA: Harvard University Press.

    Google Scholar 

  • Gracyk, T. (2007). Listening to popular music: Or how I learned to stop worrying and love Led Zeppelin. Ann Arbor: University of Michigan Press.

    Book  Google Scholar 

  • Hanna, E. (2009). The Great War on the small screen: Representing the First World War in contemporary Britain. Edinburgh: Edinburgh University Press.

    Book  Google Scholar 

  • Hodgkinson, W. (2015, July 10). Review of Cradle of Filth Hammer of the Witches. The Guardian. http://www.theguardian.com/music/2015/jul/09/cradle-of-filth-hammer-of-the-witches-review-mischievous-and-macabre. Accessed 23 July 2015.

  • Holt, F. (2007). Genre in popular music. Chicago/London: University of Chicago Press.

    Book  Google Scholar 

  • Kahn-Harris, K. (2007). Extreme metal: Music and culture on the edge. Oxford: Berg.

    Google Scholar 

  • Machin, D. (2010). Analysing popular music: Image, text, sound. London: Sage.

    Book  Google Scholar 

  • Marcus, G. (2010). Bob Dylan by Greil Marcus: Writings 1968–2010. Philadelphia: Public Affairs.

    Google Scholar 

  • Middleton, R. (2000). Reading pop: Approaches to textual analysis in popular music. Oxford: Oxford University Press.

    Google Scholar 

  • Misztal, B. A. (2003). Theories of social remembering. Maidenhead: Open University Press.

    Google Scholar 

  • Moore, A. (2012). Song means: Analysing and interpreting recorded popular song. Farnham: Ashgate.

    Google Scholar 

  • Moy, R. (2007). Kate Bush and ‘Hounds of Love’. Aldershot: Ashgate.

    Google Scholar 

  • Mullen, J. (2015). The show must go on! Popular song in Britain during the First World War. Farnham: Ashgate.

    Google Scholar 

  • Negus, K., & Astor, P. (2015). Songwriters and song lyrics: Architecture, ambiguity and repetition. Popular Music, 34(2), 226–244.

    Article  Google Scholar 

  • O’Connell, J. M. (2011). Music in war, music for peace: A review article. Ethnomusicology, 55(1), 112–127.

    Article  Google Scholar 

  • Petridis, A. (2011b, 10 February). P.J. Harvey: Let England Shake – Review. The Guardian. http://www.guardian.co.uk/music/2011/feb/10/pj-harvey-let-england-shake-review. Accessed 3 Apr 2013.

  • Pieslak, J. (2009). Sound targets: American soldiers and music in the Iraq War. Bloomington: Indiana University Press.

    Google Scholar 

  • Raggett, N. (2002). The Cranberries No Need to Argue. In V. Bogdanov, C. Woodstra, & S. T. Erlewine (Eds.), All music guide to rock: The definitive guide to rock, pop, and soul. Milwaukee: Backbeat.

    Google Scholar 

  • Scruton, R. (1998). An intelligent person’s guide to modern culture. London: Duckworth.

    Google Scholar 

  • Scruton, R. (2010, May). On defending beauty. The American Spectator. http://spectator.org/archives/2010/05/17/on-defending-beauty. Accessed 22 Dec 2012.

  • Stephen, M. (1996a). Poetry and myths of the Great War: How poets altered our perceptions of history. Barnsley: Pen and Sword.

    Google Scholar 

  • Street, J. (2012). Music and politics. Cambridge: Polity Press.

    Google Scholar 

  • Sweeney, R. M. (2001). Singing our way to victory: French cultural politics and music during the Great War. Middletown: Weslyan University Press.

    Google Scholar 

  • Walser, R. (2014). Running with the devil: Power, gender and madness in heavy metal music. Middletown: Wesleyan University Press fp 1993.

    Google Scholar 

  • Watkins, G. (2003). Proof through the night: Music and the Great War. Berkeley/London: University of California Press.

    Google Scholar 

  • Wilson, R. (2013). Cultural heritage of the Great War in Britain. Farnham: Ashgate.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Copyright information

© 2017 The Author(s)

About this chapter

Cite this chapter

Grant, P. (2017). Introduction. In: National Myth and the First World War in Modern Popular Music. Palgrave Studies in the History of Subcultures and Popular Music. Palgrave Macmillan, London. https://doi.org/10.1007/978-1-137-60139-1_1

Download citation

  • DOI: https://doi.org/10.1007/978-1-137-60139-1_1

  • Published:

  • Publisher Name: Palgrave Macmillan, London

  • Print ISBN: 978-1-137-60138-4

  • Online ISBN: 978-1-137-60139-1

  • eBook Packages: HistoryHistory (R0)

Publish with us

Policies and ethics