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But Black is Beautiful! 1950s–1980s

  • Brenda Dixon Gottschild

Abstract

JB’s words serve to launch us into the central chapters of this book and put the spotlight on her work, her influence, and her presence. Like a true matriarch, Joan Myers Brown has a power that draws people back to her and to the “home” she has created—as teachers, choreographers, guest performers—allowing them to extend their artistry by working with Philadanco and the Philadelphia School of Dance Arts. Indeed, JB is a nurturer, a magnet, a fulcrum—defined as “an agent through which vital powers are exercised.”

Keywords

Black People Atlantic City Black Girl Private Collection Black Side 
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Notes

  1. 7.
    According to Isabel Wilkerson in The Warmth of Other Suns (New York, NY: Random House, 2010), “Thus, there developed a kind of underground railroad for colored travelers, spread by word of mouth among friends and in fold-up maps and green paperback guidebooks that listed colored lodgings by state or city. (p.203) … “Still, the mere presence of the guidebooks and of word-of-mouth advice about places to stay gave a sense of order and dignity to the dispiriting prospect of driving cross-country not knowing for sure where one might lay one’s head.” (p.204).Google Scholar
  2. 11.
    Jim Walzer and Tom Wilk, Tales of South Jersey. New Brunswick, NJ: Rutgers University Press, 2001, p.18.Google Scholar

Copyright information

© Brenda Dixon Gottschild 2012

Authors and Affiliations

  • Brenda Dixon Gottschild

There are no affiliations available

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