Abstract
In the course of the last four chapters Wordsworth has become a poet of divided aims. Lyrical Ballads sets him in the public eye as a gifted but awkward poet. He is the author of short, unusual lyric pieces, of curiously obtuse narrative poetry like ‘The Idiot Boy’ and ‘The Thorn’, a poet who could excite sympathy and even admiration with ‘Tintern Abbey’, and after 1800 a poet on his way to becoming a laughing-stock in the reviews for his commitment to an eccentrically ‘simple’ style of poetry. While this is happening, and taking his career as a poet with it, he is also striving to compose The Recluse, an epic philosophical poem intended to stand alongside Milton’s Paradise Lost as a work of universal significance.
My apprehensions come in crowds;
I dread the rustling of the grass;
The very shadows of the clouds
Have power to shake me as they pass …
(‘The Affliction of Margaret’ Poems 1807, 91, 64–7)
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Notes
See Kenneth R. Johnston, Wordsworth and The Recluse (New Haven, CT and London: Yale University Press, 1984), p. xvii.
John Powell Ward, The English Line ( London: Macmillan Press — now Palgrave Macmillan, 1991 ), p. 34.
Mary Jacobus, Romanticism, Writing, and Sexual Difference: Essays on The Prelude ( Oxford: Clarendon Press, 1989 ), p. 69.
Frances Ferguson, Wordsworth: Language as Counter-Spirit ( New Haven, CT and London: Yale University Press, 1977 ), p. 94.
D. D. Devlin, Wordsworth and the Poetry of Epitaphs ( London: Macmillan Press — now Palgrave Macmillan, 1980 ).
Geoffrey H. Hartman, ‘Wordsworth Revisited’, in The Unremarkable Wordsworth ( London: Methuen, 1987 ), p. 3.
Marjorie Levinson, Wordsworth’s Great Period Poems ( Cambridge: Cambridge University Press, 1986 ).
Alan Liu, Wordsworth: The Sense of History ( Stanford, CA: Stanford University Press, 1989 ).
David Simpson, Wordsworth’s Historical Imagination: The Poetry of Displacement ( London: Methuen, 1987 ).
Alan Bewell, Wordsworth and the Enlightenment ( New Haven, CT and London: Yale University Press, 1989 ), pp. 222–31.
Francis Jeffrey, The Edinburgh Review, XI (October 1807), 214–31, quoted in Romantic Bards and British Reviewers, ed. J. O. Hayden ( London: Routledge and Kegan Paul, 1971 ), p. 23.
Jonathan Wordsworth, William Wordsworth: The Borders of Vision ( Oxford: Clarendon Press, 1982 ), p. 201.
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© 2002 John Williams
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Williams, J. (2002). Putting the Poetry in Order: Poems in Two Volumes (1807). In: William Wordsworth. Critical Issues. Palgrave, London. https://doi.org/10.1007/978-1-137-26601-9_5
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DOI: https://doi.org/10.1007/978-1-137-26601-9_5
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