Skip to main content

Benvenuto Cellini, Life and Works

  • Chapter
Benvenuto Cellini
  • 94 Accesses

Abstract

Much of what we know about Benvenuto Cellini comes from his own pen. He was born in Florence in Via Chiara on 3 November 1500 to Giovanni Cellini and Elisabetta Granacci. The Cellini family originated in Val D’Ambra, between Siena and Arezzo, but had lived in Florence since the time of Cellini’s great-grandfather. His grandfather Andrea was listed as a bricklayer (muratore) in the Florentine tax records, known as the Catasto, of 1487.1 His father, a court musician, artist, architect, and engineer, called his son Benvenuto (Welcome) after his wife and the midwife told him to expect another girl, a third daughter. Giovanni hoped that Benvenuto would follow in his footsteps and study music, his passion and part-time occupation. His son acquiesced to please his father but only if he could also study the art of drawing using the sketches of Leonardo and Michelangelo as models and be apprenticed to a local goldsmith. Cellini’s youth was spent primarily in Florence at the shops of various goldsmiths. At the age of thirteen or fourteen, he was apprenticed at the workshop of Baccio Bandinelli’s father, Michelangelo di Viviano. At fifteen he joined the shop of Antonio Giamberti, known as “Marcone.” At eighteen, he worked at the shop of Francesco Salimbene; and at twenty-one, at Giovambattista Sogliani’s. During these years Cellini spent some time in Siena, Pisa, and Bologna.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Notes

  1. Timothy J. McGee, “In the Service of the Commune: The Changing Role of Florentine Civic Musicians, 1450–1532,” Sixteenth Century Journal 30 (1999): 736.

    Article  Google Scholar 

  2. Timothy J. McGee, “Giovanni Cellini, piffero di Firenze,” Rivista italiana di musicologia 32, no. 2 (1997): 220–21.

    Google Scholar 

  3. On the autograph, see Orazio Bacci, “Il codice mediceo-palatino 2342 della R. Biblioteca Mediceo-Laurenziana,” Rivista delle Biblioteche e degli Archivi 7, no. 1 (1896): 1–11.

    Google Scholar 

  4. Bruno Maier, “Le Rime di Benvenuto Cellini,” Annali Triestini 22 (1952): 307–58.

    Google Scholar 

  5. John Pope-Hennessy, “A Bronze Satyr by Cellini,” The Burlington Magazine 124 (1982), 409.

    Google Scholar 

  6. Michael W. Cole, “Cellini’s Blood,” Art Bulletin 81, no. 2 (1999): 223.

    Article  Google Scholar 

  7. Ingrid Rowland, “The Real Caravaggio,” NYRB 46, no. 15 (1999), 14.

    Google Scholar 

  8. James M. Saslow, “A Veil of Ice Between my Heart and the Fire’: Michelangelo’s Sexual Identity and Early Modern Constructs of Homosexuality,” Genders 2 (1988): 77–90.

    Google Scholar 

  9. Jonathan Goldberg, “Cellini’s Vita and the Conventions of Early Autobiography,” MLN 89 (1974): 71–83

    Article  Google Scholar 

  10. Another contribution to the study of the Vitas spiritual aspects is the article by Yemin Chao, “Two Renaissance Lives: Benvenuto Cellini and Teresa of Jesus,” Renaissance and Reformation new ser. 23, no. 2 (1999): 29–44.

    Google Scholar 

  11. I refer to Vasari’s tondo of Cosimo and his artists in the Salone dei Cinquecento in the Palazzo Vecchio in Florence (ca. 1559). Following Charles Davis and Pope-Hennessy, I believe that Cellini is one of the two figures in the background to the viewer’s left (Charles Davis, “Benvenuto Cellini and the Scuola Fiorentina,” North Carolina Museum of Art Bulletin 13, no. 4 (1976), 21

    Google Scholar 

  12. For the characteristics of Cellini’s hand that are different from the hand of the copyist of the Laurenziana manuscript, see Orazio Bacci, “Il Codice Mediceo-Palatino 2342 della R. Biblioteca Mediceo-Laurenziana,” Rivista delle biblioteche e degli archivi 7, no. 1 (1896): 10

    Google Scholar 

Download references

Authors

Copyright information

© 2003 Margaret A. Gallucci

About this chapter

Cite this chapter

Gallucci, M.A. (2003). Benvenuto Cellini, Life and Works. In: Benvenuto Cellini. Palgrave Macmillan, New York. https://doi.org/10.1007/978-1-137-12208-7_2

Download citation

  • DOI: https://doi.org/10.1007/978-1-137-12208-7_2

  • Publisher Name: Palgrave Macmillan, New York

  • Print ISBN: 978-1-4039-6896-8

  • Online ISBN: 978-1-137-12208-7

  • eBook Packages: Palgrave History CollectionHistory (R0)

Publish with us

Policies and ethics