Abstract
I would like to start by quoting a poem by South African Luvuyo Mkangelwa entitled “The Women Sing.”1 Hopefully, during the course of my discussion, I will be able to persuade you of the connections between the women depicted in the poem by Mkangelwa and those Musa Dube so eloquently has referred us to in her chapter.2
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Notes
Luvuyo Mkangelwa, “The Women Sing,” in Running towards Us: New Writing from South Africa, ed. Isabel Balseiro (New Portsmouth, NH: Heinemann, 2000) 15.
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© 2005 Kathleen O’Brien Wicker, Musa W. Dube, and Althea Spencer Miller
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Balseiro, I. (2005). Response: A Perilous Passage From Scarlet Cord to Red Ribbon. In: Wicker, K.O., Miller, A.S., Dube, M.W. (eds) Feminist New Testament Studies. Religion/Culture/Critique. Palgrave Macmillan, New York. https://doi.org/10.1007/978-1-137-11204-0_16
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DOI: https://doi.org/10.1007/978-1-137-11204-0_16
Publisher Name: Palgrave Macmillan, New York
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