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Yearning and Learning: Spaces of Desire in Jean Lemaire De Belges’ Concorde Des Deux Langages (1511)

  • Adrian Armstrong
Part of the The New Middle Ages book series (TNMA)

Abstract

This chapter examines the psychic trajectory of Lemaire’s protagonist, demonstrating the intertwining of Imaginary and Symbolic registers and thereby illuminating Lemaire’s treatment of consolatory rhetoric.

Keywords

Symbolic Order Narrative Context Ideological Issue Psychic Development Lacanian Psychoanalysis 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

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Notes

  1. 1.
    Jean Lemaire de Belges, La Concorde des deux langages, ed. Jean Frappier (Paris: Droz, 1947).Google Scholar
  2. 4.
    For useful accounts of the Imaginary, see Kaja Silverman, The Subject of Semiotics (Oxford: Oxford University Press, 1983), pp. 157–62Google Scholar
  3. Jean Laplanche and J.-B. Pontalis, Vocabulaire de la psychanalyse (Paris: Presses universitaires de France, 1967), pp. 195–96Google Scholar
  4. Jacqueline Rose, Sexuality in the Field of Vision (London: Verso, 1986), pp. 167–97Google Scholar
  5. 20.
    On the traditions underpinning Genius, see Jane Chance Nitzsche, The Genius Figure in Antiquity and the Middle Ages (New York: Columbia University Press, 1975).Google Scholar
  6. 21.
    On the symbolism of the miter, see Armstrong, Technique and Technology, p. 109. The terms “vehicle” and “topic domain” derive from Eva Feder Kittay, Metaphor: Its Cognitive Force and Linguistic Structure (Oxford: Oxford University Press, 1987), p. 140.Google Scholar
  7. 22.
    See Rose M. Bidler, Dictionnaire erotique: ancien fiançais, moyen français, Renaissance (Montreal: Éditions CERES, 2002), pp. 117–118.Google Scholar
  8. 30.
    See Cowling, Building the Text, pp. 201-202. Cynthia J. Brown, “Jean Lemaire’s La Concorde des deux langages: The Merging of Politics, Language, and Poetry,” Fifteenth-Century Studies 3 (1980): 29–39.Google Scholar

Copyright information

© Catherine E. Léglu and Stephen J. Milner 2008

Authors and Affiliations

  • Adrian Armstrong

There are no affiliations available

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