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“Honest English Breed”: The Thoroughbred as Cultural Metaphor

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The Culture of the Horse

Part of the book series: Early Modern Cultural Studies ((EMCSS))

Abstract

Persistent debates in science studies between constructivist and realist accounts of knowledge claims have for some time been seeking a productive alternative to the rhetorical impasse of naive realist and radical relativist articulations.1 Seeking to negotiate the shifting terrain between these poles, theorists have increasingly been focused on material-discursive models of agency that refuse to privilege one set of commitments over the other, but instead engage equally with both. Engaging with these models of agency, I want to focus attention on the particularly powerful and compelling trope of the Thoroughbred racehorse in early modern cultural formation, and attend to its various significations.

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Notes

  1. Karen Barad has coined the phrase “agential realism” in describing one such alternative: “The ontology I propose does not posit some fixed notion of being that is prior to signification (as the classical realist assumes), but neither is being completely inaccessible to language (as in Kantian transcendentalism), nor completely of language (as in linguistic monism). That reality within which we intra-act—what I term agential reality—is made up of material-discursive phenomena. Agential reality is not a fixed ontology that is independent of human practices, but is continually reconstituted through our material-discursive intra-actions. … According to agential realism, reality is sedimented out of the process of making the world intelligible through certain practices and not others. Therefore, we are responsible not only for the knowledge that we seek, but, in part, for what exists. Scientific practices involve complex intra-actions of multiple material-discursive apparatuses. Material-discursive apparatuses are themselves phenomena made up of specific intra-actions of humans and non-humans. … Intra-actions are constraining but not determining.” Barad’s notion of “intra-actions,” on which her “agential realism” depends, reconfigures the observer’s relationship to nature: we do not observe the nature around us, but rather we observe our own participation within nature. Karen Barad, “Reconceiving Scientific Literacy as Agential Literacy: Or, Learning How to Intra-act Responsibly within the World,” in Doing Science and Culture ed. Roddey Reid and Sharon Traweek (New York: Routledge, 2000), 221–58; quote from 235–36.

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  3. The quoted phrase is from Nicholas Russell, Like Engend’ring Like: Heredity and Animal Breeding in Early Modern England (Cambridge, UK: Cambridge University Press, 1986), 95.

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  4. Instead, “the word ‘Thoroughbred’ was first mentioned in Volume 2 published in 1821, though the term was not defined. Copenhagen, the Duke of Wellington’s charger at the battle of Waterloo, was by Meteor, and the pedigree of his dam Lady Catherine was given as ‘got by John Bull, her dam by the Rutland Arabian, out of a hunting mare not thoroughbred’ “: Peter Willett, The Thoroughbred (New York: G. P. Putnam & Sons, 1970), 102. This definition by negation may be the first use of the term in the official registry of Thoroughbred racing, but its affirmative use quickly entered the lexicon.

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© 2005 Karen Raber and Treva J. Tucker

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Nash, R. (2005). “Honest English Breed”: The Thoroughbred as Cultural Metaphor. In: Raber, K., Tucker, T.J. (eds) The Culture of the Horse. Early Modern Cultural Studies. Palgrave Macmillan, New York. https://doi.org/10.1007/978-1-137-09725-5_10

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