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The Lioness Roared: Introduction

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The Lioness Roared

Part of the book series: Queenship and Power ((QAP))

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Abstract

So roared Mary I of England, in the midst of a formidable rebellion against her authority as monarch. Even John Foxe, the Protestant martyrologist who created the enduring image of “Bloody Mary,” marveled, for one brief historical moment, at the exercise of kingly authority emanating from this diminutive, thirty-nine-year-old unmarried woman.2 As England’s first ruling queen, Mary forcefully reminded her subjects that she was their legitimate monarch, capable of mastering her own and England’s destiny. Unlike her male predecessors, the kings of England, Mary I was compelled to justify to her subjects why a woman should be holding an estate and wielding an office that formerly had been occupied only by men. Simultaneously proclaiming herself her kingdom’s wife and demanding the obedience of her kingdom’s subjects, Mary I demonstrated a response to the opponents of her rule that was contradictory in its premises yet remarkable in its attempt to project a gendered representation of womanhood upon the historical template of English kingship.

Now, loving subjects, what I am, ye right well know. I am your queen, to whom at my coronation, when I was wedded to the realm and the laws of the same, you promised your allegiance and obedience unto me.1

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Notes

  1. John Foxe, The Acts and Monuments of John Foxe, vol., 6, ed. George Townsend and Stephen Cattley (New York: AMS Press, 1965, orig. pub. 1559) p. 414

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  2. Ibid.

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  3. Studies of European kingship in general do not include analysis of women as kings; for a fairly recent example see Henry A. Myers, Medieval Kingship (Chicago: Nelson-Hall, 1982), also Kings and Kingship in Medieval Europe, ed. Anne Duggan (London: King’s College London Centre for Late Antique and Medieval Studies, 1993). Only recently have scholars begun to interpose the role of women upon the evolution of kingship, see Paul Kleber Monod, The Power of Kings: Monarchy and Religion in Europe (New Haven, Conn.: Yale University Press, 1999). While Monod includes discussions of female rulers in his study, they remain “exceptional, each case has to be examined separately,” p. 7.

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  5. Arthur Taylor, The Glory of Regality: An Historical Treatise of the Anointing and Crowning of the Kings and Queens of England (London: Payne and Foss, 1820), p. 3.

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  6. Ibid.

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  7. Gerda Lerner, The Creation of Feminist Consciousness (Oxford: Oxford University Press, 1993), p. 15.

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  9. This theoretical starting point is nicely fleshed out in Bonnie Smith, The Gender of History (Cambridge, Mass.: Harvard University Press, 1998).

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  33. John Aylmer, later Bishop of London, wrote his work, An Harborowe For Faithful and Trewe Subjects (London: 1559) as a rebuttal to John Knox’s scathing critique of female rule, First Blast of the Trumpet Against the Monstrous Regiment of Women (Geneva: 1558). Aylmer’s emphasis on the mixed nature of the English constitution was also incorporated into Sir Thomas Smith’s political critique, De Republica Anglorum, ed. L. Alston (New York: Harper and Row, 1973, orig. pub. 1584).

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  38. Ibid.

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© 2008 Charles Beem

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Beem, C. (2008). The Lioness Roared: Introduction. In: The Lioness Roared. Queenship and Power. Palgrave Macmillan, New York. https://doi.org/10.1007/978-1-137-09722-4_1

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  • DOI: https://doi.org/10.1007/978-1-137-09722-4_1

  • Publisher Name: Palgrave Macmillan, New York

  • Print ISBN: 978-0-230-60634-0

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